Posted in Singles Going Steady

…haven’t you heard…


Posted in Album Reviews

Simon & Garfunkel – Wednesday Morning, 3AM

garfIn the fall of 1964, folk rock duo Simon & Garfunkel released their debut album, Wednesday Morning, 3AM. Originally named Tom and Jerry, the Queens NY duo had scored a minor hit in the New York area several years before with “Hey School Girl” before they drifted apart. With the New York folk scene in full swing, the duo regrouped in the early 60s to start performing together again.

Though they would go on to great success, the debut is patchy at best.  It is mix of folk standards (“Last Night I Had The Strangest Dream”/ “The Times They Are A-changin’”), gospel music (“Go Tell It On The Mountain”), and several original compositions written by Simon.  The harmonies on the album are quite good but the duo bring little grit or soul to the traditional songs and instead come across as a squeaky-clean version of many of their peers.

Of the originals, “Bleecker Street” is a nice track about Greenwich Village.  “He Was My Brother” is a good if earnest eulogy written by Simon about his friend Andrew Goodman who was killed in Mississippi at the hands of the KKK along with Michael Schwerner and James Chaney.  The most famous song here is the original version of “Sounds of Silence”.  Here the track appears backed by just an acoustic guitar, unadorned with the instrumentation later added by producer Tom Wilson that turned it into a folk-rock classic.  Soon after the release, Simon moved to London but was later called back to NY by Garfunkel when the remixed version of “The Sounds of Silence” became a #1 smash hit.  Unfortunately, there is little here that is essential to the Simon and Garfunkel story.  The best thing is probably the album cover.  Seen as old fashioned by some at the time, viewed through the Mad Men 60s prism, it is a classic shot of upstart young New Yorkers busking in the underground.


Posted in Album Reviews

Pet Shop Boys – Actually/Further Listening 1987-88 (2018)

petA year after their debut Please came out, Pet Shop Boys released a synth pop masterpiece with Actually. Retaining a similar album cover to their debut, this time around Neil Tennant is featured yawning on the but with what is contained inside, that reaction could not be further than from the truth. Side one is flawless. The spikey, dance track “One More Chance” opens up the album before second single “What Have I Done to Deserve This” comes in. Featuring 60s star Dusty Springfield, this #2 on both sides of the Atlantic became a radio staple throughout the mid-80s and fit in very well with other duets at the time from George Michael/Aretha Franklin, Michael Mcdonald/Patti Labelle, and the Dirty Dancing tracks.

The heart of the record is in the next three tracks – the retail critique of “Shopping”, the dour yet sophisticated “Rent” and upbeat “Hit Music”. On side two, the UK #1 “It’s A Sin” symphony effects underlay lyrics that rail against the church claiming that everything the band does is a sin. With a Nesfaratu-like video guaranteeing plays every Halloween, “Heart” was the duo’s last UK #1. Album closer “King’s Cross” is PSB’s first great ballad, a classy affair that lays the ground work down for “Being Boring” a few years later. Even with the success of “West End Girls” two years earlier, it took Actually to firmly push Pet Shop Boys into being a true pop hit contender rather than a mere curiosity or one hit wonder.

The further listening disc presents numerous remixes and B-sides. Whereas the original is more meandering, the “One More Chance (Seven Inch Mix)” is more direct with a driving beat. The Shep Pettibone remix of “Heart” adds shimmering synths and electronic steel drums. It’s a full two minutes before “It’s a Sin (Disco Mix)” becomes familiar to listeners and the extended version of “What Have I Done…” is a keeper. “Always on My Mind” is presented here twice but the original single version released during this time period is missed and could easily have been added. Unlike the extras presented on Please that reworked many tracks to great effect and added B-sides that were almost as good as the A-sides, somehow the extras here seem less essential and less fun.

Actually – 9/10
Further Listening – 7/10