Posted in Album Reviews

The Libertines – Anthems For Doomed Youth (2015)

After releasing two classic albums in the early 2000s, The Libertines went on a hiatus for 10 years due many troubles, most notably Pete Doherty’s drug issues. For a time, they were front page news on UK music magazines for both good and bad reasons. In 2015 the reformed band teamed up with One Direction/Ed Sheeran producer Jake Gosling for the album Anthems For Doomed Youth. The album swings immediately with Pete and Carl Barat trading off verses with a knees up chorus on “Barbarians”. “Fame and Fortune” is a call to arms – “Like tin soldiers responding to the call/To Camden we will crawl”.

With a punk reggae sound, “Gunga Din” was the first single and the only song still in the band’s current set list, like several songs on the album, has a great singalong chorus. Quieter sides show on the piano driven “You’re My Waterloo” and set closer “Dead For Love”. The album is more front loaded with most of the better tracks showing up right away with the back end being good rather than great. The Libertine’s distinctive guitar sound and clever way with words show through on a solid return. This deluxe edition adds four extra tracks including rerecorded older demos.

7.5/10

Posted in Album Reviews

The Strokes – Reality Awaits (2026)

The Strokes returned in 2026 in a big way – headlining several festivals including Coachella, world tour with sellouts across the UK and Europe, and a new album to boot. Once again working with Rick Rubin, Reality Awaits is their first release in six years. First single “Going Shopping” is immediately catchy, warm guitar tones throughout, similar to second single “Falling Out of Love”. Similar to all the songs.

Knives come out several times on the disc including the powers that be that keep sending others out to do their deadly bidding on “Psycho Shit”. But also bizarrely about YouTube music critic Anthony Fantano who gets name checked on “Lonely In The Future”, telling the listener that Fantano doesn’t understand art. The autotuned vocals of Julian Casablancas and the smooth guitar, jagged edges be damned make for a decent listen that on song after song after song, floats by.

7/10

Posted in Goodbyes

Goodbye Dolly

On August 25, 2026 the music world went into mourning with the news that Dolly Parton had passed away. The country music icon was 80 when she died. News outlets, social media, websites, musicians, fans, etc across the world have been paying tribute to Dolly.  It was even the lead story on Winnipeg Sports Talk podcast/Youtube channel who talked about her fondly.  People who don’t typically listen to her music expressed their sadness at the news.  Dolly touched so many lives in one way or another.

On a personal level – I have a memory of my Mom taking me to see the comedy 1980 movie 9 to 5 at the theatre when I was still a small lad, the movie that Dolly starred in with Lily Tomlin and Jane Fonda. “Islands in the Stream”, written by Barry Gibb and sung as a duet by Kenny Rogers and Dolly was a smash hit in 1983. My Mom regularly played the Trio tape in the mid-late 80s, the album Dolly recorded with fellow legends Linda Ronstadt and Emmylou Harris. Whitney Houston’s megahit cover of her Dolly’s song “I Will Always Love You” was a staple at dances and weddings throughout the 90s and beyond. Throughout the 2000s she was a constant presence on TV, radio, and online.  Just a few weeks ago I bought Dolly’s “Original Album Series” 5CD set.  Like many others have said, Dolly Parton had been around my entire life.

Rather than just being another singer – it was Dolly’s personality that radiated through multiple generations. A great songwriter, terrific singer, self deprecating, funny and beautiful – yet it was her kindness that really stood out. She seemed to love everyone regardless of their background, colour, sexual preferences, etc. Everyone was welcomed into her world with open arms.  With current social/political tensions running high, Dolly Parton was one that everyone could agree on.  She will be sadly missed.  

Posted in Album Reviews

Bill Callahan – Days of 58 (2026)

Bill Callahan has been releasing music since the early 90s, starting as Smog before switching to his own name 20 years ago. Days of 58, looks at life from the perspective of almost five decades of experience. Callahan wonders why artists his age continue sing and tour on the opening track, “Why Do Men Sing”, the song being more of an upper than a downer. Later on “Highway Born”, he checks in on what’s happening on the country and declares that he “loves the highway”, horns supporting his tune.

As with many men in his 50s/60s, taking stock is common and this is expressed when he sings, “I don’t wanna be the man I am anymore”.  Trying to get better in the face of death and aging. The repeated lyrics of “Lonely City” becomes a memorable mantra. The heart of the record is “Empathy”.  A talk with his dad delivers the devastating line, “you said you got by without a father, so you figured why should I have one?”  The same track sees Callahan look at his relationship with his own kids, the good and the bad. Days of 58 is full of heart and feelings, the ups and downs of aging, looking back on life. Most men this age can surely relate.

8/10

Posted in Album Reviews

Paul McCartney – The Boys Of Dungeon Lane (2026)

Paul McCartney’s 20th solo album was released in late May and sees the former Beatle working with celebrated producer, Andrew Watt. The album starts with two of its most rocking numbers. Just McCartney and guitar start on “As You Lie There” that really picks up in the chorus, a crunchy guitar powers “Lost Horizon”.  “Ripples In A Pond” is bright and bouncy, a bit more modern sound.

Many of the tracks look back at life with an air of nostalgia. Songs like the acoustic “Down South” and “Salesman Saint” where Macca sings about the hard times his parents had as young parents raising kids just after WWII.  Ringo Starr plays and sings on the upbeat “Home To Us”, the sound recalls 80s pop rock hits by George Harrison and Roy Orbison.

Throughout The Boys of Dungeon Lane, McCartney’s vocals sound fragile and he only lets loose on a couple of tracks.  Instead, the album is dominated by softer, quieter tunes like later tracks, “First Star Of The Night” and closer “Momma Gets By”.  The frail vocals, adds to the sound of these songs as they float through the air.  With most songs hovering around the three-minute mark, nothing overstays it’s welcome on a quite good album made by the 84-year-old legend.

7.5/10