Posted in Album Reviews

David Bowie – Let’s Dance (1983)

On the Let’s Dance album, released in 1983, David Bowie stepped into pop superstardom with an album to match. Working with Chic’s Nile Rodgers, Bowie specifically wanted hits for the new MTV world. And hits he got on his best-selling album. The singles are all collected at the beginning, starting with “Modern Love” that has a bit of a 50s feel with a horn section and a call and response chorus.

Reigniting a track Bowie originally wrote with Iggy Pop for Pop’s 1977 album, The Idiot, “China Girl” became the second smash hit from the record. The Asian influenced guitar brings a new hook to the song and the “oh-oh-oh-oh” outro is just as catchy. Released as the first single, the title track is a towering dance hit. Another song that brings in a 50s flavour that melts in perfectly with the disco funk.  The album version clocks in at nearly eight minutes and feels like a remix, bringing in different sounds.  The track is tailor made for clubs with coloured lights, tiled floors and glass tables but still feels vital 40 years later.

Like some other big 80s pop albums, the rest of the album is over shadowed by the massive singles but still turns in a few really good tracks. Bernard Edwards lays down a slinky bass groove on “Without You” while guitarist Stevie Ray Vaughan turns in a standout guitar solo on the bouncy “Criminal World”. Many fans would miss the experimental 70s Bowie who pushed boundaries versus this mainstream version who seems to be following trends, rather than creating them. But, the album did what Bowie wanted, brought him all the hits and introduced him to a new generation of music fans.

9/10

Posted in Paper Chase

Vladimir Nabokov – Lolita

“Just like the old man in that book by Nabokov” goes the lyrics to The Police’s hit song, “Don’t Stand So Close To Me”.  One of the most famous and controversial books of the last century, Vladimir Nabokov’s 1955 book Lolita is often hailed as a literary classic. The plot follows Humbert Humbert as he crosses the Atlantic to America after a failed first marriage. He becomes a tenant in a house owned by Charlotte with a young daughter Delores who catches Humbert’s eye, and lust, who he then refers to as “Lolita”. After a doomed marriage to Charlotte, he runs off with Lolita staying in motels across the US as he lives out his sexual fantasies with the 12-year-old girl.

In reviews of the book, morality is put the side as high-minded readers marvel at the stylistic prose of Nabakov who writes the story through the eyes of Humbert. The lurid material is shocking at times as one wonders how he could not act as a protector of his step child. At other times, the storytelling is amusing, in a cocksure Morrissey kind of way. A challenging book that continues to divide opinion, one that I did find hard to put down as it continued though I’m not sure I ever truly enjoyed it. Read at your own discretion .

7/10

Posted in Album Reviews

Pink Floyd – More (1969)

The More soundtrack is the third studio album from Pink Floyd. The quickly recorded, semi-improvised disc feature several instrumentals with David Gilmour handling all vocal duties on the other tracks. Of the instrumentals, opener “Cirrus Minor” stands out.  Starting with birds chirping, the Richard Wright farfisa organ gives it a pastoral feel. “Main Theme” has a sci-fi feel and sounds a bit like the band’s past work. “Up The Khyber” gets some sped up jazzy drumming courtesy of Nick Mason, a few of the other instrumentals are more geared towards incidental movie music.

Two tracks take on a proto-meal guitar crunch with “The Nile Song” being the pick, Gilmour’s vocals stretching to much the riffing. Taking writing credits for most of side one, two of Roger Water’s best tracks on More are found in the middle of the album. “Green Is The Colour” has some acoustic guitar and great piano playing in the outro, a really nice tune. Best is the atmospheric “Cymbaline”.  More great keys and the simple chorus hook of “.. and it’s high time…”.  A deep, hidden gem in the catalogue.

7/10

Posted in Album Reviews

David Bowie – Re:Call 3 (2017)

Re:Call 3 appears in the David Bowie box set A New Career In A New Town (1977-1982) released in 2017. Like it’s Re:Call predecessors, it mops up various single versions, EP tracks and rarities. This period covers some of Bowie’s greatest works which means this collection is a treasure trove of some of his greatest hits starting with one of his best singles, “Heroes” and followed by an extended version of “Beauty And The Beast”. Not to be outdone, singles from Scary Monsters (And Super Creeps) appear including the single version of “Ashes To Ashes” and the title track.

“Space Oddity” appears in a 1979 version, not as spacey as the original, it is far more raw. A great addition to the set is the “Under Pressure” single recorded with Queen that came about when Bowie stopped by the studio one day. This is then followed by tracks from Baal’s EP released in 1980, based on songs from playwright Bertolt Brecht.  The five theatrical songs do not fit with the other tracks found on this compilation and would have been better on its own disc. That quibble aside, Re:Call 3 contains some of Bowie’s most legendary 70s moments.

8/10

Posted in Album Reviews

Buffalo Springfield – Last Time Around (1968)

Buffalo Springfield was broken-up by the time their final album, Last Time Around, was released in 1968.  Made up of previous recordings, the album was a contractual obligation put together by Jim Messina and Richie Furay.  Just two Neil Young compositions appear. Sung by Furay, “On The Way Home” is a terrific song, complete with horns for added pleasure. Towards the end of the record, the easy going Young sung “I Am A Child” appears.

Almost half the tracks are Stephen Stills songs with the best being the dreamy ballad, “Pretty Girl Why”. “Four Days Gone” tells the tale of a draft dodger returning home to see his baby and “Special Care” gets some organ added and much guitar riffing.  Two Richie Furay tracks appear towards the end including “Merry-Go-Round” and the excellent country rock ballad, “Kind Woman”. The last album in the Buffalo Springfield cannon does not have the strengths of their previous recordings but still a few worthwhile tracks to hear.

7.5/10