Posted in Album Reviews

America – The Complete Greatest Hits (2001)

There’s not shortage of compilation albums of British-American trio, America. Formed in England while their fathers were stationed there as part of the US Army, the band would eventually relocate to Los Angeles and further soak up the soft folk rock sounds of the early 70s.  A success right out of the gate, their first three singles went top ten in the US including their most well known song – “A Horse With No Name”.  With vocals of Dewey Bunnell sounding not unlike Neil Young and terrific backing vocals of Gerry Beckley and Dan Peek; the guitar strumming song went to #1 on the back of the song’s memorable “la la la la” as it comes out of the chorus.

Fans of 2000s Saturday Night Live will smile at the Spanish guitar sounds of “Ventura Highway”, a track that was surely the inspiration for the theme to The Californians skit. “Tin Man” and “Lonely People” are nice sounding tracks that glide by, ones that if they appeared on a random playlist would have the listener ask, “who is this?”. The band would then hit #1 again with the great strumming guitar riff of “Sister Golden Hair”.  The crisp drumbeat helps pick up the pace of the chorus. Less successful is the band’s polarizing single, “Muskrat Love”, a song that Captain and Tennille would have great success with a few years later.

The Complete Greatest Hits ends with a slick 80s sound on songs such as “You Can Magic” that was a top ten hit in the US. Replacing the “la la la” with “doo doo doo”, it’s their first single without Dan Peek who left a few years prior.  The album then finishes with two new songs that follows in their familiar pattern of pleasant and catchy sound. And that is what sums up this collection – a handful of great songs and a slew of pleasing ones that can easily soundtrack a summer evening of watching the sunset while enjoying a glass of California white wine.

8/10

Posted in Album Reviews

Lucinda Williams – World’s Gone Wrong (2026)

Lucinda Williams’ sixteenth studio album is a politically charged bluesy, roots rocker released into a chaotic world early in 2026. Williams’ aging and raspy singing voice adds a gravitas to the recordings including the title track about a couple trying to make both ends meat and sense of the world.  Like a lot of us, they are both “looking for comfort in a song”. “Something’s Gotta Give” ponders that “there’s darkness to these days.. as the light fades away”.

Mavis Staples joins for the Bob Marley cover of “So Much Trouble in the World”, a bit more atmospheric in a honky-tonk bar.  A sleek guitar in the chorus adds some punch to the very good sounding “Punchline” while the album closes with a hymn like gospel sounds of “We’ve Come Too Far to Turn Around”. Like lots of people, the characters in the songs are trying to come to grips with how the world is turning these days – talk of ballrooms amongst rising gas prices.  Williams does a very good job of articulating these feelings in a tuneful way.

7/10

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Black Sabbath – Paranoid (1970)

Recorded quickly on the heels of their debut, Black Sabbath’s second album Paranoid was unleashed to the public in the fall of 1970.  The album is a masterclass of Tony Iommi’s heavy metal guitar riffs that start right away, along with the air raid sirens of “War Pigs”.  The music cuts away in the first verse so Ozzy Osborne can sing about the evils of warmongering bankers and politicians, “generals gathered in their masses/Just like witches at black masses”.

Not to be outdone, “Iron Man” contains one of the rock music’s great guitar sounds on a track about a time traveller who goes into the future to see the apocalypse.  When he comes back, no one listens to his warnings. The title track was the band’s biggest hit, peaking at #4 on the UK singles chart.  A great vocal from Ozzy as he pleads, “Can you help me?” and closes with the kiss off, “I tell you to enjoy life/I wish I could, but it’s too late” The song about depression and mental illness is one of the great rock songs of any era.

Those three tracks are some of the band’s most well known songs, but great moments abound elsewhere.  The liquid vocals of “Planet Caravan”, Bill Ward’s pounding drums on “Hand of Doom”, and the bass groove of Geezer Butler on closer “Fairies Wear Boots” are all exceptional tracks. On the UK #1 album Paranoid, the four band members all have their moments to shine and standout on one of the classic albums of what would become known as heavy metal.

10/10

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Siouxsie and the Banshees – A Kiss In The Dreamhouse (1982)

Recording of Siouxsie and the Banshees fifth album started in May, 1982. Long hours in the studio fueled by a flurry of love, drugs and alcohol sees the band record the experimental A Kiss In The Dreamhouse. The dark and foreboding sound of “Cascade” opens the album with various sound effects swirling in the background, Siouxsie singing “Echoing the revolver/Emptying into my mouth”. “Obsession” is more stripped down but no less dark – a spooky atmosphere surrounds it, this contrasts with the recorder opening and shimmering guitar sound of “Green Fingers”.

Serious topics are explored on “Circle” – the circle of abuse and pain spins around and around. Based on the book, the pounding drums of “Painted Bird” drive home the story of bizarre animal abuse. The band even manages to sing about S+M, dominance and death on the single “Melt!” The dark sounds do provide brighter moments. The percussive sound of “She’s A Carnival”, complete with organ outro, and the (maybe) gothic dance craze described on “Slowdive” add a dash of fun. A Kiss In The Dreamhouse is a rollicking bit of dark theatre that still entices 40+ years later.

8/10

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Courtney Barnett – Creature Of Habit (2026)

Creature of Habit is the new album from Australian transplant Courtney Barnett, now living in LA. The album centrepiece, “Mantis”, was co-written with Stella Mozgawa who co-produces and plays on all the tracks. As the verses tumble out one after another, Barnett is hyper aware as she sings “Organizing all my thoughts, making them rhyme”. Inward looking is a major theme throughout the album, “Rip this thing out of my head (please be patient)” goes first track “Stay In Your Lane” and as she sings on “Sugar Plum”, “I’m in over my head”.

The pronounced bass on “Sugar Plum” turns to technicolour over layers of guitars when she sings that she’s “looking forward to some brighter days”. Though introspective, the album is never down. Songs such as the thoughtful “Wonder” spring to life and the repetition of closing track “Another Beautiful Day” turns it into a mantra. While it’s hard to pinpoint a truly great song, Creature Of Habit is chockful of very good tracks. Another Courtney Barnett album that stands tall upon repeated listens.

7.5/10