Another year has come and gone. Below is our favourite albums of the year. As usual, the disclaimer is that the list is never static as we’re still working on “new to us” 2013 finds. But for now, this is where we stand. Happy new year!
When looking at her discography, it is surprising to see that Neko Case has not released an album since 2009’s Middle Cyclone. Case is an artist who often pops up in various spots – whether it’s singing with Jakob Dylan, covering “She’s Not There” with Nick Cave or providing backup vocals for Camera Obscura, she’s never too far removed from the musical landscape. The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love sees Case return to the solo spotlight.
The soulful “Night Still Comes” and rollicking “Man” provide two early highlights that provide a mighty one-two punch. Sung a cappella, the parental failings in “Nearly Midnight, Honlulu” are truly heartbreaking as is the long distance lament in “Calling Cards”. While remaining emotionally raw throughout, a few of the tracks don’t hit with the same impact as what’s come before making for a good but at times inconsistent listen.
Through much of 2012, Glasgow synth pop trio Chvrches was making waves with a couple of singles that caught the ear of the blogsphere and saw them named as a band to watch by the BBC. When long-time friends Iain Cooke (Aerogramme) and Martin Doherty started recording in 2011 they asked Lauren Mayberry to sing on a few tracks which lead to the formation of Chvrches. After the release of “Lies” and the equally brilliant “Mother We Share”, the music press were more than ready to embrace third single “Recover” which received high praise upon release in early 2013.
Those three tracks form the backbone of debut, The Bones of What You Believe while fourth single “Gun” could easily be mistaken for an upbeat Young Galaxy. “We Sink” is instantly memorable when Mayberry sweetly declares “I’ll be in a thorn in your side ‘til you die”. Elsewhere tracks such as “Under the Tide” and “Science/Visions” show a darker side to Chvrches sound. A slew of great singles without any filler to be found, The Bones of What You Believe is one of the better debuts of the year.
In the past two years, Los Angeles artist Julia Holter has released three albums. The first two, Tragedy and Ekstasis contained nods to ancient Greek plays and Virginia Woolf. Her newly released third, and first for Domino Records, was influenced by the novella and movie Gigi. Lowbrow this is not.
Loud City Song is the first of her albums to be recorded in a studio with other musicians and features a definite jazz flavour on many of the tracks. The first notes heard on single “In the Green Wild” are of a double bass one would normally hear pouring out of a jazz café. A breathless cover of 60s R&B staple “Hello Stranger” shows what a beautiful singer Holter is and does not sound too dissimilar from a slow motion version of Lisa Stansfield. Towards the end of the album, there is a Feist like bounce on “This Is a True Heart”.
2012’s Ekstasis’ dream pop was perfect for falling asleep to but Loud City Song comes alive while walking through the city on a bright and sunny afternoon. The appropriately named “Horns Surround Me” is enhanced by the rustling of fall leaves under feet, the sound of cars rushing by, and birds singing. On Loud City Song, Holter has truly captured the sound of the urban environment and is a vibrant follow-up to her first two excellent albums.
