Posted in Album Reviews

Liam Gallagher – MTV Unplugged (Live at Hull City Hall) (2020)

In the history of Oasis, there are countless stories of debauchery, drunkenness, missed gigs, arguments, etc. One of the most famous occurred in 1996 when the band was due to perform on MTV’s very popular Unplugged series. Instead of performing with the band, a very drunk Liam Gallagher sat in the balcony drinking and heckling the band. For whatever reason, 20+ years later Liam went to Hull to perform a set of 15 MTV Unplugged tunes, 10 of which were later released as an album.

His only live album that does not start with “Hello” and instead works in the solo number “Wall of Glass” that is pleasingly heavy on the organ. Dedicated to his daughter Molly Moorish, album highlight “Now That I’ve Found You” is a lovely ballad that gets pumped up in mood by the backing vocalists. “One of Us” gets boosted by strings on the melancholy track that declares, “act like you don’t remember/you said we’d live forever”.

Broken up between five solo and five Oasis songs, the earliest 90s classic appears with “Some Might Say” in a performance that shows the tune holds up remarkably well without the guitar bluster of the original. The most surprising selection is the inclusion of Definitely Maybe extra track “Sad Song”. The original is performed by Noel so nice to have a Liam sung version. “Stand By Me” gets a wistful run through with an abbreviated “Champagne Supernova” closing out the show. Liam is on fine vocal form throughout the 40 plus minutes on a set that contains a handful of gems.  

7.5/10

Posted in Album Reviews

Liam Gallagher – Down by the River Thames (2022)

In the deepest, darkest COVID days of late 2020, Liam Gallagher threw music fans a lifeline when he released a live streamed concert of him and his band sailing down the Thames playing a selection of solo tracks and Oasis classics. The beautifully shot video was a much-needed respite for those not able to attend concerts.  Not to mention the site of much loved Bonehead on guitar.

Opening with “Hello”, the younger Gallagher then plays three solo tracks including “Halo” whose piano intro get obliterated by a wall of sound by the first verse. “Greedy Soul” from Gallagher’s first solo album is a driving rock song, a bit daft but all attitude before “Once” slows things down for a few minutes while looking back at the good old days.

Concentrating on the punkier, sneering tracks from his back catalogue – Liam throws the heads in the crowd a few looks with Oasis b-sides “Fade Away” and “Headshrinker” along with the psychedelic swirl of “Columbia”.  “Champagne Supernova” appears in a shorter, lovely piano led style as he wishes all a Happy Christmas.  Gallagher closes the set with a tender new song, “All You’re Dreaming Of” that had just been released the week before. Whereas a DVD of the event would be a welcome addition, the CD is a reminder of a fun night had by fans across the world who could hear some much missed live music.

7/10

Posted in Album Reviews

Liam Gallagher – Knebworth 22 (2023)

With just three solo albums under his belt, Liam Gallagher has also released three live albums since the dissolution of his two previous bands – Oasis and Beady Eye. In early June of 2022, Gallagher returned to the scene of one of Oasis’ greatest triumphs when he headlined Knebworth for two shows, equaling that of his pervious band. As with most Gallagher solo shows, Oasis songs feature prominently in the setlist and on this collection, nine songs are included including “Hello” that starts off the main set followed by the anthemic “Rock n Roll Star”.

Gallagher then goes into three solo tracks including “Wall of Glass” and last year’s single “Everything’s Electric”, both of which keep the energy up.  One surprise of the album is the inclusion of Standing on the Shoulder of Giants closer, “Roll It Over”. It’s a welcome addition of being recognizable but not a smash single so carries with it an element of surprise. The main set closes with four more solo tracks including the choir of “More Power”.  It’s this closing set where his previous band is missing. While Gallagher has several upbeat rockers to add to his setlist, he’s lacking that one big anthemic ballad to bring the crowd home.

Coming back for an encore, the disc ends with five Oasis classics including their first number one single “Some Might Say”, the world beating “Wonderwall” and the guitar tones of John Squire on “Champagne Supernova”.  Comparing this to the Oasis Knebworth release from 2022, the sound is crisp and Liam’s voice is in fine form.  The listener will miss the guitar heroics of brother Noel, not to mention the banter that he adds between songs.  Still, Knebworth 22 does a fine job of playing the greatest hits of Liam Gallagher’s nearly 30 year recording career.

8/10

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The Cars – Shake It Up (1981)

On the first few songs from the album Shake It Up, The Cars immediately return to former glories.  “Since Your Gone” comes in hard, then mellows out at midtempo with what sounds like clipped handclaps. “Since you’re gone/I can’t help it/Everything’s a mess” sings Ocasek on a track that barely dented the US singles chart.  The title track is a new wave classic and dancefloor filler on 80s nights.  “Dance all night keep the beat/Don’t you worry ‘bout two left feet”.  The call to arms is amazingly the band’s first top 10 single, going to #3. Oddly, “I’m Not the One” would get remixed five years later and released as a single for their first Greatest Hits collection.

“Victim Of Love” has a retro 50s bop to it’s simple drum and keyboard lines that is later matched on “Think It Over” and its poppy chorus, a buzzing guitar that pops every few seconds. Darker is “This Could Be Love” as Ocasek sings “is this the kill, is this the thrill?”.  The thrills here are more understated and minimal, it would have not sounded out of place if it came out in indie rock dance boom of the early 2000s. It’s hard to live up to their early success and Shake It Up doesn’t seem to try.  Instead the band retreated into their newly build studio to tinker, delivering an understated album of new wave tracks that live in the dark shadows of the club.

7.5/10

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Madonna – Like a Prayer (1989)

Once again working with Patrick Leonard and Stephen Bray on various songs, Madonna co-wrote/produced all the tracks on her landmark release, Like a Prayer.  The 1989 album sees a shift to more mature themes as Madonna tackles a failing marriage, her relationships with her family, the death of her mother, and religion.  The title track was the first single released with much hype on the back of a promotion with Pepsi that would end with just one airing of the infamous commercial. On the song, a choir humming emerges from the ether as Madonna sings, “life is a mystery…” In the verses, it’s just the choir and some twinkling background sounds before the chorus erupts with gospel singers.

“Express Yourself” appears here in a different form than the version on The Immaculate Collection. It sounds more joyous with added horns but loses the throbbing bassline on the female empowerment single that would go to #2 in the US with the line, “don’t go for second best, baby”. “Cherish” is one of Madonna’s most infectious singles. The charming song is the sound of a summer day with Madonna singing that “Romeo and Juliet they never felt this way I bet”.

Prince appears on three tracks, most prominently on the electro funk “Love Song”.  Surprisingly, two titans of music coming together brings very little heat. Better is the perky dance pop of “Till Death Do Us Part” whose music hides the lyrics of her failing marriage.  UK single “Dear Jessie” is a whimsical, lyrically psychedelic track that has a childlike simplicity to it.  In contrast, one of Madonna’s best album tracks is about the death of one of her friends from AIDs.  “Spanish Eyes” is a lovely, touching song that sees her voice reach for the lines “I light this candle and watch it throw/tears on my pillow” on this heartfelt ballad.

Like a Prayer sees Madonna grow as an artist, especially on failed single, “Oh Father”. Based on her feelings of her Mom dying while she was still a child, it speaks to her relationship with father and also an abusive male relationship.  The dramatic ballad reaches an empathic climax when Madonna sings, “Maybe someday/When I look back, I’ll be able to say/You didn’t mean to be cruel/Somebody hurt you too”.  It’s one of her best tracks but also broke her string of top 10 hits so doesn’t appear on greatest hits albums.  “Oh Father” is one of many powerful moments on an excellent pop album that further pushed Madonna even further into superstardom.

10/10