Category: Album Reviews

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The Police – Synchronicity (2CD Deluxe Version) (2024)

Posted on by Michael

The last album that British trio The Police recorded is the one that sent them into the stratosphere. Released in 1983, Synchronicity is one of the classic albums of the 80s, with the chiseled jawlines of the band members appearing in videos, posters, magazines around the world. The album recorded at AIR studios in Montserrat by producer Hugh Padghan was fraught with infighting and the band recording their parts in separate rooms.  In contrast to these well known stories, in interviews included in the CD booklet, the band is highly complimentary to what each member brought to the sound of the album.

Arguably one of the most backloaded albums in the history of rock music, Synchronicity starts with the tension of the title track (part I); a bit new wave, scientific, and a lot of energy. Carl Jung’s theory of synchronicity is never far away from Sting’s lyrical inspiration. “Walking In Your Footsteps” switches the sound to African percussion courtesy of drummer Stewart Copeland while singer/bass player Sting sings of the extinct dinosaurs. With Sting taking writing credits for most of the tracks on the album, Andy Summers is the writer on “Mother”, the most decisive track on the album. A screeching bit of a post punk that is at odds with the radio friendly sounds of the rest of the album.

The first side closes with part II of the title track that was released as a single and the best true rock moment on the album. “Synchronicity II” tells of a man living an anxiety ridden suburban existence that is juxtaposed with the image of a monster rising out of a Scottish lake. The next track is rated as one of the most played radio songs ever recorded.  While on first listen, “Every Breath You Take” is a song of love, it is on repeated listens that the sinister side of a stalker emerges. Andy Summer’s guitar helps power the song that is one of the signature songs of the 80s.

Two more big hits follow on songs that would go top ten around the world.   The piano driven tension on “King of Pain” is as unsettling as Sting’s lyrics about “a black spot on the sun today” and a “black hat caught in a high tree top”. “Wrapped Around Your Finger” is another song about control that makes many mythological references. The album closes with the tender band favourite, “Tea In The Sahara” while the CD version of the original album closes with the comparatively slight, “Murder By Numbers” which also appears here.

The second disc in this collection is a mix of B-sides, unreleased tracks, and live versions. A bit of a mix bag, the songs included are not exclusive to the Synchronicity era with songs like “Message In A Bottle” and “Walking On The Moon” appearing in live versions. The B-sides included are more straight up rock songs including Andy Summers’ “Truth Hits Everybody (remix)” with a terrific rumbling bass.  Best are the backing track versions for “Roxanne” and “Every Breath You Take” that punches up the piano not as noticeable on the regular version.

Synchronicity – 9/10

Extras – 7.5/10

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Manic Street Preachers – Critical Thinking (2025)

Posted on by Michael

Unlike some of their 90s peers, Welsh legends Manic Street Preachers have continuously been putting out music this century.  Their latest, Critical Thinking, sees the band to continue working with longtime co-producer David Eringa. Bassist Nicky Wire takes over the lead vocals on three tracks including the single, “Hiding In Plain Sight” that adds female vocals on the chorus, with Wire singing “I wanna be in love/With the man I used to be/In a decade I felt free”. He also handles the vocals on the opening title track with talk/sing style that matches the driving bass and drums combo.

Singer/guitarist James Dean Bradfield contributes lyrics to three songs including the chiming guitars on “Brushstrokes Of A Reunion” about his deceased Mother. The band is at it’s peak when it settles into the usual force of the band’s music with Wire’s lyrics and Bradfield singing.  This includes the letter to Morrissey on “Dear Stephen” with a plea not to destroy his legacy with his political leanings with a reminder that “it’s so easy to hate/It takes guts to be kind/To paraphrase one of your heartbreak lines”.

“People Ruin Paintings” namechecks several greats including Rothko and Pollock on a song that is not about protestors destroying works of art though it is hard not to get that imagery out of your head while listening to the track. “Decline and Fall” is the highlight of the album.  The band Squeeze get a co-writing credit due to partial use of their song “Cool For Cats”.  It’s tuneful driving song, tailor made for BBC radio adult alternative stations about the tiny joys that can still be found even as the world declines. On their 15th album, Manic Street Preachers continue to put out thought provoking songs that are thrilling to hear.

8/10

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The Clash – The Clash UK (1977)

Posted on by Michael

1977 is the year that punk broke. One of the bands at the forefront of the London scene was The Clash led by singers/guitarists Joe Strummer and Mick Jones along with bassist Paul Simonon and initially Terry Chimes on drums.  The rush of excitement for this new sound was immediate on their self titled debut with first track “Janie Jones”, driven by the sped up drums and rumbling bass on a song about a female brothel keeper who went to jail in the UK in the early 70s.  “I’m So Bored With The USA” was a shot across the bow on the negative aspects of American culture and it’s effects on the UK.

Strummer sings that “London’s burning with boredom now” about the boredom of living in the capital where fun was had driving around the Westway motor way. “Career Opportunities” is a revved up complaint on the lack of opportunities for young people to get meaningful jobs outside of “making tea at the BBC” especially when the punk attitude of Strummer sings “I hate the army and I hate the RAF”.  Incendiary first single, “White Riot” is a call to arms for the youth to fight against police brutality and oppression based on the Notting Hill Riots of 1976.

Towards the end of the album, the band changes gears with the six minute cover of Junior Murvin’s reggae hit, “Police & Thieves”. More bass riffs from Simonon stand out on the track that once again talks to the violence of the police + gang wars. To close things out, a punk anthem emerges on “Garageland” that the band wrote after a bad review in the NME that tells them to go back to the garage and stay there. Strummer takes that theme to announce that they in fact do come from the garage and will always be a garage band regardless of signing to a major label. As one of the biggest voices in the emergence of British punk music, The Clash is a breathtaking new sound that mixes rock music, the grit of the streets, searing social commentary, with a menacing snarl. 

10/10

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Saint Etienne – The Night (2024)

Posted on by Michael

Saint Etienne’s twelfth studio album, The Night, is a zen like album that could play in the background at the spa.  Pop ambient that occasionally breaks through the smoky condensation like on “Nightingale” where Sarah Cracknell sings that “Love is leaving/leaving space to breathe”. “When We Were Young” is a wisp of a song that blows through like the wind over nature sounds that blends into the instrumental “No Rush”.

“Celestial” sounds like the warm glow of an orchestra on an old radio before “Preflyte” that includes the intriguing lyrics – “Closing of the day/Draw the curtains, stars coming out to play”.  The music on The Night creates an ambient space, one that is meant to wash over the listener.  Saint Etienne with producer Augustin Bousfield have crafted a set of music that the listener can float away on while dreaming of the clouds, sun, ocean, and sky.

6/10

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Spoons – Collectible Spoons (1994)

Posted on by Michael

Way back in 1979, Spoons formed in Burlington, Ontario led by singer/guitarist Gorden Deppe and bass player Sandy Horne. The band, in various forms has released seven studio albums with the earliest being a mix of synthesizer pop with prog elements and more experimental sounds.  The greatest hits collection, Collectible Spoons, concentrates on the first three albums plus the singles take from the soundtrack to the movie Listen to the City.  The compilation is in non chronological order and starts with songs taken from their second album, Arias & Symphonies.  The title track has the dramatic guitar/synthesizer sound that Muse would take to stadiums around the world 30 years later.

The collection then moves to the band’s commercial heyday.  Produced by the legendary Nile Rodgers, the singles taken from the soundtrack were radio and video staples across Canada.  The hook from “Romanic Traffic” is from the “doot doot doot” in the chorus that was originally meant as filler. The fun, upbeat “Tell No Lies” was just as popular along with the equally catchy “Old Emotions”.

The album then switches back to songs taken from the first album, Stick Figure Neighbourhood that was recorded by a young Daniel Lanois. The best pick from this era being “Red Light” with its sparse, lazer synth stabs and stilted vocals.  The moody, atmospheric “Blow Away” follows with a definite prog influence.  Spoons most iconic song, “Nova Heart” appears twice including an extended mix.  The atmospheric, new wave classic is an extraordinary track with Deppe singing to the architects and gentlemen of the world.  It straddles the line between the alternative synth world of bands like OMD/Depeche Mode as well as putting a flag firmly in the pop world.  It’s a lost classic of the early 80s that does not get played nearly enough.

7.5/10