Category: Album Reviews

Posted in Album Reviews

The Lovin’ Spoonful – Greatest Hits (2000)

Posted on by Michael

The New York based 60s folk rock group The Lovin’ Spoonful released their first single, the #9 single “Do You Believe In Magic” in July of 1960. The track sees singer John Sebastian talk of the pure joy of music and leads off their Greatest Hits album from 2000.  Coming in at a generous 26 songs, three of the first five tracks are classic 60s folk pop songs. “Daydream” has an old timey feel complete with a whistle bit for fans to join in.  The easy going “Did You Ever Have to Make Up Your Mind” captures the hardship of having to choose between two potential partners in a situation that is “not often easy and not often kind”.

Those songs see The Lovin’ Spoonful at their best, much of the rest of the album is a pleasant batch of songs that sound like they could be strummed around a beach campfire or appear in the background of a movie. Another top ten hit, “You Didn’t Have To Be So Nice” has a nice melody, “Darling Be Home Soon” adds strings/horns on an introspective soundtrack song, and “Jug Band Music” is a fun upbeat number. The one standout from this is arguably their best song – “Summer In the City”.  The track captures the essence of New York City in the stifling heat of the summer complete with car horns honking, “but at night it’s a different world/go out and find a girl”.  The grit and coolness of the city oozes out of the #1 hit.

Within a few short years, the group over.  Complications due to founder/guitarist Val Yanovsky’s arrest for marijuana in 1966 helped in the demise with Sebastian leaving a couple years later. Drummer Joe Butler carried on the band’s name for one more album where he was the only original member. Surprisingly it turned out a very good ending track for this compilation with “Never Going Back”.  Over the last 50 years, The Lovin’ Spoonful’s handful of hits have lived on forever on AM radio.

7/10

Posted in Album Reviews

The Libertines – All Quiet on the Eastern Esplanade (2024)

Posted on by Michael

While reviewing the first single from the new album by The Libertines, Justin Hawkins ponders if the band has moved into legendary status.  With a 20+ year recording career but only 4 group albums, sometimes the band is more myth than legend but “Run Run Run” is a perfect beginning to All Quiet on the Eastern Esplanade.  “It’s a life long project of a life on the lash” as the band incites excitement with sped up drums and handclaps.

The main duo of Carl Barat and Pete Doherty have not lost their way with words.  On a song about immigration, Doherty sings of England and its “chalk cliffs, once white, they’re greying in the sodium light”.  “I Have A Friend” includes the line “the tears fall like bombs without warning” on a song based on Russia’s attack on the Ukraine. “Songs They Never Play On The Radio” is a track for the end of a pub night, with the lads hoisting pints with arms around each other.

The Libertines manage to work in lore about the band with talk of Arcadia and the Albion Rooms. Several of the tracks are dark and moody, and feel like they are from a different time entirely.  “Shiver” is a highlight that speaks of Queen Elizabeth’s death and watching the dying empire fade away. Before long they shift gears again to have bit of a knees up with “Oh Shit” that is all riffs and sing along choruses. It’s nice having the band in full run again as they settle into being a fine middle aged UK rock band.

7.5/10

Posted in Album Reviews

Pet Shop Boys – Nonetheless (Deluxe) (2024)

Posted on by Michael

Even though they haven’t released a studio album since 2020, Pet Shop Boys never seem far away from the music pages.  A tour with New Order, a Soft Cell collaboration, a Noel Gallagher remix, an EP, etc. Nonetheless started its campaign with the strings and classical swirl of first single “Loneliness” before it ends with a throbbing dancefloor ready beat.  Neil Tennant sings that “you make me feel like nobody else can” on “Feel” over a bed of synths and a melody that sounds like a sped up ballad.

Working with superstar producer James Ford, this was the highest charting UK album for the duo since the mid 90s.  Many of the tracks look inward including “Why Am I Dancing” that has ecstatic horns to start as an old raver wonders why they are dancing/celebrating while being alone.  Tennant raps a verse on “New London Boy” that captures the joy and hardships of joining the gay scene in the big smoke in the 70s.

Nonetheless is a well produced album that sees Tennant and partner Chris Lowe expertly record their sound in 2024.  As the album goes on, a few of the songs are just OK.  “A New Bohemia” is a sweeping ballad and “The Schlager Hit Parade” adds a strummed acoustic guitar and a chorus that is the most immediate on the album. It’s not revelatory but instead works as a solid outing for this electronic royalty.

The deluxe version adds 4 redone classic tracks for about an extra $10.  For the most part, the reworkings take out the personality and punch that made the originals classics to begin with.  The hard beat of “Heart” is washed out and the story behind “Being Boring” disappears. Best of the bunch is “It’s a Sin” that for better or worse updates the sound to a more modern approach.

Nonetheless – 7/10

Deluxe Extras – 6/10

Posted in Album Reviews

David Bowie – David Live (1974)

Posted on by Michael

While other David Bowie’s live albums may have been recorded earlier, David Live was the first one released.  The disc was recorded during 1974’s Diamond Dogs tour at a stop in Pennsylvania. Having left behind the Ziggy Stardust personae the year before, Bowie adds horns to the mix including the work of David Sanborn (RIP) and piano player Mike Garson that play a heavy role in the songs performed for the album.  This adds a bit of a jazzy flavour to tracks like “Changes” and “Aladdin Sane”.

The band really let loose on “Moonage Dream” including a sizzling guitar solo from Earl Slick and Tony Norman going for it on the drums.  The background vocals on the Eddie Floyd cover “Knock on Wood” truly make it sound like an arena rock show from the 70s.  At times, Bowie’s voice strains a bit to get into range but the enthusiasm of tracks like Diamond Dogs’ single “Rebel Rebel” and “Cracked Actor” plus the impassioned performance of “Rock n Roll Suicide” make it easier to overlook. 

Several singles up to that point are left off the performance such as “Space Oddity”, “Starman” and “Live on Mars”. In truth, he had so many songs to choose from even at this point that they are not hugely missed. In all, David Live captures Bowie between Ziggy and the Young Americans phase that was just a year away.

7/10

Posted in Album Reviews

The Jesus and Mary Chain – Glasgow Eyes (2024)

Posted on by Michael

Brothers William and Jim Reid return with their second album since reforming as The Jesus and Mary Chain in 2007. The brothers go back to their roots with most of the album recorded at Mogwai’s studio in Glasgow. The album is a mixture of guitars and electronics that add tension and groove in equal measure. First track “Venal Joy” comes in with much distortion and dissonance to start but is let down with the lyrics, “I’m on fire/piss on fire/don’t piss on fire”.

Glasgow Eyes is often dominated by the darker synths that underpins several songs.  “Discotheque” takes the listener into the darkest corners of the club and “Silver Strings” is more downtempo with lower growl vocal register of William, it’s just a cool sounding song. This is the sound that carries much of the album through the middle section of the nearly 50 minute album.

To contrast, first single “Jamcod” sounds like the band’s classic sound with synths lying below the surface as Jim sings about the band’s original breakup on stage in the late 90s – “J-A-M-C-O-D”. “The Eagles and The Beatles” is a catchy track on the bands they grew up listening to – “I’ve been rolling with the Stones/Mick and Keith and Brian Jones”. “Second of June” immediately has a brighter guitar sound that harkens back to the Stone & Dethroned album era of the mid 90s.  The simple name check of their own band adds some swagger into the mix on an album that sees the Reid’s continue their leather jacket, sunglasses and floppy hair explorations into their 60s.

7/10