Posted in Album Reviews

Yo La Tengo – And Then Nothing Turned Itself Inside-Out (2000)

Released in 2000, the ninth studio album from trio Yo La Tengo is more ambient take on their indie rock sound.  Muffled beats with a clattering of plates introduces the album on “Everyday”.  The song has a darker, colder Joy Division like sound that cover the lyrics – “I hear Kate Moss talk, she talks to me/She’s looking for a new beginning every day”.  Sung by drummer Georgia Hubley, she also takes the vocals on “Tears Are In Your Eyes” where she talks to a friend suffering from depression and reminds them, “Darkness always turns into the dawn”.

Sweetness pervades “Our Way to Fall”, memories of meeting a girl for the first time over a musical bed led by a 70s organ. The sound then later appears on instrumental “Tired Hippo”.  “Last Days of Disco” sees guitarist Ira Kaplan sing of letting himself go at a dance party. The dissociative lyrics of second single “Saturday” has a drumbeat that almost sounds like a hiss then clatters at other moments.  “Cherry Chapstick” sees the band go back to it’s roots of slightly buried vocals and crashes of guitars.

First single, “You Can Have it All” is a standout cover of a George McCrae sung with lots of “b aba babas” giving it an airy and cheery sound. “Madeleine” is a nice, easy going track that appears late in the album before closing with the 17 minute quiet epic “Night Falls on Hoboken”. In the intervening years since it was recorded, many publications sung the praises of And Then Nothing Turned Itself Inside-Out as a notable release of the 2000s.  It’s an unsuspecting album with many layers of dark and cold then warm and funny.  What’s remarkable, is that it keeps giving and never lags with great songs spread throughout.

8/10  

Posted in Album Reviews

Bob Dylan – Pat Garrett & Billy the Kid (1973)

The seventies brought on a first for Bob Dylan – he recorded a soundtrack album for a film.  In 1973 he released the OST for Pat Garrett & Billy the Kid. Assembling an incredible band including Roger McGuinn (guitar), Jim Keltner (drums), Booker T Jones (bass), and the return of Bruce Langhorne on acoustic guitar. Being a soundtrack, several of the tracks are acoustic guitar instrumentals including the laid back “River Theme”, a good old romp of “Turkey Chase”, and the bongo lead “Cantina Theme (Workin’ For The Law)”.

The most popular track here is the classic “Knockin’ on Heaven’s Door”.  The spiritual song takes some themes from Dylan’s sixties period and updates the sound for the seventies. “Mama, put my guns in the ground/I can’t shoot them anymore”. The powerful song hit the top ten in several countries and has been covered several times including by Guns N’ Roses.  On the album, the song is followed by “Final Theme” that sounds like an extended coda. While spreading his wings further to try new things, this soundtrack has top notch playing by expert musicians on simple but pleasant songs.

6.5/10

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David Bowie – Re:Call 1 (2015)

David Bowie started released boxsets split up by eras starting with Five Years (1969-1973) that was released in 2015 and has continued with four more sets since then. One of the selling points of the  boxes is the inclusion of compilations which mop up stray singles, alternate mixes, B-sides, etc. Re:Call 1 is a double disc affair that includes the classic “Space Oddity” in two of the first three tracks. The first in mono and the second version sung in Italian. B-side “Conversation Piece” is a psychedelic folk song about a shy boy to nervous to talk to others – “I’m a thinker/Not a talker/No one to talk to anyway”.

“Holy Holy” appears twice and is a good bit of nonsensical fun. Both “Moonage Daydream” and “Hang On To Yourself” appear in Arnold Corn versions, a band that Bowie put together as a lead up to Ziggy Stardust. The versions differ from their more familiar album versions by being slowed/stripped down takes – the former losing it’s glam/metal stomp and the latter sounding like a track from the late 50s.

“John, I’m Only Dancing” also appears twice, in its single edit and the sax version which adds a touch of that horn to great effect.  A Chuck Berry cover of “Round and Round” appears with Bowie doing his best Mick Jagger impression. The whole set is closed off with impressive B-side “Velvet Goldmine”. The track left off albums, possibly due to its risqué nature is a stomper before it slows with its piano chorus.  While there are a few skippable moments, Re:Call 1 is a terrific collection of odds and sods from Bowie’s first phase.

8/10

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Mitski – The Land is Inhospitable and So Are We (2023)

On the song, “The Deal”, New York’s Mitski’s voice swoops and swoons over an acoustic guitar during the first verse before the chorus brings the orchestral noise… drums sound like galloping wild horses towards the end. Like the album, there is a lot going on in that short burst of sound. Northern residents will know what it’s like for “The Frost” to look like dust on the landscape and shoveling the snow off the driveway like memories being swept away on “When Memories Snow”.

“Sometimes a drink feels like family” Mitski sings on first single “Bug Like An Angel”, a track where a choir bursts in to punctuate key points. “My Love Mine All Mine” is a love song to the love she feels inside. Country tinges songs like the aforementioned “The Frost” and on “Heaven” where “something set free is running through the night”. Mitski’s seventh studio album is a quiet album, raw at times, but one that is full of power and emotion. 

8.5/10

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Van Halen – Women and Children First (1980)

Van Halen’s third album welcomed the band into the 80s. Once again produced by Ted Templeman, the band introduces a heavier sound. First track “And the Cradle Will Rock…” starts with an electric piano that sounds like a metallic guitar courtesy of Eddie Van Halen. A good rock song about the new metal generation of kids. The jungle drums and David Lee Roth making jungle noises opens “Everybody Wants Some!!”. The straightforward track about getting it on has been a long concert favourite.

The first half of the album is mostly about the kids, rock, and partying.  While the second half is mostly about that as well, a few different musical ideas start to appear. The punk/metal of “Loss of Control” sees Alex Van Halen doing double time on the bass drum. “Take Your Whiskey Home” and “Could This Be Magic” both turn in fine acoustic guitar moments. The former seeing a girl tell Diamond Dave, “well, I think that you’re headed for a whole lot of trouble” and the latter sounding like a good yet throwaway Doors song. 

The album ends with “In a Simple Rhyme” that starts as a 70s rock ballad before the rock comes in.  Nice vocals on the chorus make it a memorable album closer. Women and Children First sees Van Halen continue their party lyrics but the harder sounds is pushing the band forward.

7.5/10