Album Reviews – Page 34 – The Light Appears

Belle and Sebastian – Late Developers (2023)

Posted on January 29, 2023 by Michael

Belle and Sebastian have quickly followed up their 2022 release, A Bit of Previous with Late Developers released just 7 months later. “Juliet Naked” comes in immediately as the music starts. The band sound really confident, far away from awkward teenage glances as Stuart Murdoch sings of “prayers and pills, dusty nights in quivering hotels”. The sound immediately shifts on “Give a Little Time” where Sarah Martin takes over the vocals with chirpy handclaps and talk that “these are the best days”.

Martin takes over the vocals again on the funky “When You’re Not With Me” before the Passion Pit like synth track, “I Don’t Know What You See In Me”. The confidence of earlier songs disappear where Murdoch questions whether he is good enough. Martin and Murdoch then share vocal duties on the 60s folk sound of “Will I Tell You a Secret”. The album closes with the title track that adds horns and has a bit of a jam feel to start, nice keyboards and a bit of drumming.

Late Developers has a modern flair but includes what has always made Belle and Sebastian a cult favourite, including the album cover. Sarah Martin shines whenever she steps up to the mic. Stuart Murdoch adds several classic B&S lyrics like the “I wish I could be content with the football scores” line on “When We Were Very Young”. Cementing his nerdy/cool outsider status even into his 50s. Late Developers is a full band effort that rivals some of their music from the early 2000s.

8.5/10

Album Reviews

Weyes Blood – And In The Darkness, Hearts Aglow

Posted on January 21, 2023 by Michael

The second in a trilogy of albums, And In the Darkness, Hearts Aglow follows up the excellent Titanic Rising. Hearts Aglow has the feel of a singer-songwriter album from the 70s. “It’s Not Just Me, It’s Everybody” embodies this 70s esthetic, a touch of soulfulness that soothes as it drifts along. Natalie Laura Mering’s voice is strikingly beautiful, it is well showcased on the minimalist “God Turn Me Into A Flower”. “Hearts Aglow” is highlighted with a Wurlitzer as the soundscape swoops.

“Children Of The Empire” has a brighter sound, with snappy finger snapping in the chorus, it’s a bit more attention grabbing than some of other tracks. A couple instrumentals appear on the second half including the watery sounds of “In Holy Flux”. Working with a few different arrangers/producers including Jonathan Rado, all of …Hearts Aglow is quite lovely but often does not really grab the listeners attention as it moves along. Under the beauty there is often not much there… there.

7/10

Album Reviews

Bob Dylan – John Wesley Harding

Posted on January 8, 2023 by Michael

Released just over 55 years ago, Bob Dylan more or less keeps his extraordinary string of albums going with the country tinged John Wesley Harding. The album cuts back on Dylan’s epic songs and instead sees most tracks clocking in at the 3-minute mark. The title track has a great bit of drumming from Kenneth A. Buttrey. Along with Charlie McCoy on bass, the album has a minimal feel than the last few records Dylan had released with just “The Ballad of Frankie Lee and Judas Priest” stretching out over 11 verses. The haunting, “As I went Out One Morning” where the protagonist gets taken by the arm by a woman in chains is more typical of the songs Dylan released here.

The most famous song on the album is the original version of “All Along the Watch Tower”, later made more popular by Jimi Hendrix’s stunning version. The driving acoustic guitar and impassioned vocal are as powerful as the lyric, “there are many here among us/Who feel that life is but a joke”. “Down Along the Cove” sees Dylan move to piano on a jaunty track before the pedal steel guitar of “I’ll Be Your Baby Tonight” closes out the set.

This set of Dylan songs does not quite reach the heights of his mid 60s period albums. The cracked vocals on “Drifter’s Escape” and the bluesy “Dear Landlord” are fine songs that feel like a more laid back Dylan. In all, this makes John Wesley Harding a little less awe inspiring than what listeners had become used to but one in which Dylan stays ahead of most in the musical pack of that time.

8.5/10

Album Reviews

Lightning Seeds – See You In The Stars (2022)

Posted on December 23, 2022 by Michael

For the first time in 13 years, singer-song writer/producer Ian Broudie has resurrected the Lightning Seeds band name. See You In The Stars contains 10 songs coming in at just over 30 minutes, most of which are perfect little pop nuggets. The jangly acoustic driven “Great To Be Alive” is an uplifting track co-written with James Skelly from The Coral. The pair also collaborate on “Live To Love You” that adds female vocals for colour with the energy coming from the drums.

“Time is flying, dreams are dying” appears on “Emily Smiles” that Broudie co-wrote with the recently deceased Terry Hall. “Permanent Danger” is more introspective as the singer states, “somedays I think I am on my own”, the closing title track has Broudie in a deeper, mature voice on a song that sounds like vintage Lightning Seeds. At 64 years old, Ian Broudie has released ever more clever pop music that doesn’t go too deep but always stays on the right side of twee.

8.5/10

Album Reviews

The Beatles – Revolver Special Edition (Deluxe 2CD) (2022)

Posted on December 18, 2022 by Michael

Following up on Rubber Soul, The Beatles made another leap forward in 1966 with their seventh album, Revolver. This has now received the remixed treatment courtesy of Giles Martin. Revolver contains many of the elements that would later show up on Sgt Pepper – a signature Ringo Starr track (“Yellow Submarine”), George Harrison Eastern influences (“Love You To”), and a genre bending closing track (“Tomorrow Never Knows”). Only one single appears on the album, Paul McCartney’s haunting ballad “Eleanor Rigby”.

Harrison gets the premier slot with his bass driven “Taxman” who’s sound would later be appropriated by The Jam. John Lennon shines on the heavy eyelid pop of “I’m Only Sleeping” and the Peter Fonda quoting “She Said She Said”. McCartney turns in the lovely ballad “Here There and Everywhere” as well as the Motown horns of “Got to Get You Into My Life”. While Sgt Pepper’s remains more popular in the mainstream, in the last several years, Revolver has grown in stature over the years to become an aficionado favourite.

Fans of The Beatles will already own Revolver in many forms over the years, so it is the disc of outtakes that will drive the interest in this release. The second disc starts with the revved up single “Paperback Writer” and it’s classic B-side “Rain”, both in 2022 stereo mixes. Highlights of disc two include Take 1 of “Tomorrow Never Knows” that dials down the psychedelia for a more straightforward track with Lennon’s voice sounding like it is coming through a radio. “Doctor Robert” has a drier sound that pushes Lennon’s vocals to the forefront.

McCartney’s “For No One” appears as an instrumental backing track and later, “Here, There and Everywhere (Take 6)” has a much rawer vocal than the released version. The cartoonish effects of “Yellow Submarine” do not appear on Take 4 which makes it sound like a more mature folk sea shanty. Overall, the outtakes disc does a winning job of turning songs heard hundreds of time before into a must listen that brings out different shades and sounds to well worn tracks.

Revolver – 10/10

Outtakes – 10/10