Posted in Album Reviews

Sturgill Simpson – A Sailor’s Guide To Earth (2016)

sturgillSturgill Simpson has been kicking around for a few years now.  His second album, the critically acclaimed Metamodern Sounds in Country Music, crossed over with rock audiences who were hip to his non-mainstream country image. Having seen Sturgill recently in concert, his lively show attracts a diverse crowd of country fans in cowboy hats as well as punk rock, rockabilly and indie rock listeners.  In the spring of 2016, Simpson released his major label debut titled A Sailor’s Guide to Earth.

The lyrical theme throughout the new album is Simpson giving life lessons to his newborn son. Album opener “Welcome To Earth (Pollywog)” is an instant classic with heartfelt lyrics that never get sappy atop a bedrock of Dap King horns. “Keep It Between The Lines” is a spirited track about staying on the straight and narrow.  Elsewhere, the strings on “Oh Sarah” can get a bit schmaltzy and the listings of cities in “Sea Stories” is less like the adrenaline rush of “Panic” by The Smiths and more like the beer stained remembrances of Springsteen’s “Glory Days”.

One of the notable tracks is Simpson’s cover of Nirvana’s “In Bloom” which sees a slight lyric change from “he don’t know what it means when I say” to “he don’t know what it means to love someone” which makes it all the more poignant and is the highlight of the album. The rave reviews for A Sailor’s Guide to Earth no doubt means that Simpson has many fans, however, I far prefer the soulful horns vs the easy listening strings that both appear throughout and I’m not sure if I will be belting out many of the on the nose lyrics on long car rides.  Having said that, when the next Sturgill concert gets announced you can be sure I’ll be one of the first in line for tickets.

6/10

 

Posted in Album Reviews

Marissa Nadler – Strangers (2016)

51jPXIHPR2L._AA240_QL65_Exactly two years ago we posted a review of Marissa Nadler’s sixth album, July. Earlier this year the talented alt country artist released Strangers. The same spare arrangements and swooning vocal accompany most tracks.  The guitar feedback on “Hungry Is The Ghost” is revelatory when placed among the quieter tracks.  While the title track is forgettable, the repeated chorus on “Janie In Love” will stick in the head for days.

Where Nadler shines is in the stories that are woven throughout the album that paint pictures as vivid as novels. “Change, change, I got married on a Sunday afternoon” from “All The Colors Of The Dark” is touching vs the darker secrets of spying on the neighbours in “Shadow Show Diane”.

Marissa Nadler’s music is unlike most of her contemporaries. Her music, album covers and videos seem to be from a different time and space.  While there is not a lot to differentiate this from her last album, Strangers is another rewarding journey into Nadler’s peculiar world.

7/10