Posted in Album Reviews

Julia Holter – Loud City Song (2013)

41SEn-OFS-L._AA160_In the past two years, Los Angeles artist Julia Holter has released three albums. The first two, Tragedy and Ekstasis contained nods to ancient Greek plays and Virginia Woolf. Her newly released third, and first for Domino Records, was influenced by the novella and movie Gigi. Lowbrow this is not.

Loud City Song is the first of her albums to be recorded in a studio with other musicians and features a definite jazz flavour on many of the tracks. The first notes heard on single “In the Green Wild” are of a double bass one would normally hear pouring out of a jazz café. A breathless cover of 60s R&B staple “Hello Stranger” shows what a beautiful singer Holter is and does not sound too dissimilar from a slow motion version of Lisa Stansfield. Towards the end of the album, there is a Feist like bounce on “This Is a True Heart”.

2012’s Ekstasis’ dream pop was perfect for falling asleep to but Loud City Song comes alive while walking through the city on a bright and sunny afternoon. The appropriately named “Horns Surround Me” is enhanced by the rustling of fall leaves under feet, the sound of cars rushing by, and birds singing. On Loud City Song, Holter has truly captured the sound of the urban environment and is a vibrant follow-up to her first two excellent albums.

8.5/10

Review also found at UMFM.com

Posted in Album Reviews

Moon King – Obsession I & II (2013)

moonkingsBack in August, the great new Winnipeg venue Union Sound Hall played host to Montreal’s Majical Cloudz. While Devon Welsh’s performance was suitably intense, the highlight of the night belonged to Toronto newcomers Moon King. The duo, comprised of writer/producer Daniel Benjamin and vocal/guitarist Maddy Wilde, stormed through tracks from their two EPs entitled Obsession I and II which they released for the tour as one CD.

The band does a spot on job at combining elements of shoegaze with scuzzy rock energy. “The Fear of Love” recalls MBV at their most dreamy while the floaty vocals of “Dreamtrap” would do Grimes proud before the thrash of “Icarus” blows the fog away. Though Obs I was released a year ago and Obs II is already several months old, these two EPs are absolutely essential listening.

7.5/10

Review also found at UMFM.com

Posted in Album Reviews

Franz Ferdinand – Right Thoughts, Right Words, Right Actions (2013)

franzBack in 2003/04 the British music press hyperbole machine was in full throttle mode. Most likely buoyed by flagging magazine sales, weekly articles wrote lovingly of a Britpop renaissance. The leaders of this new school were undoubtedly a four piece from Glasgow named after the Archduke of Austria, Franz Ferdinand. Their 2004 Wire indebted debut featured the breakout hit “Take Me Out” that formed a formidable one-two punch for rock along with The White Stripes “Seven Nation Army”. Two more good but uneven albums followed and now four years on since their last release; Right Words, Right Thoughts, Right Actions see the once mighty foursome reappear.

Lead off track “Right Action” gets things started with toe tapping brilliance. Surely one of the ridiculously catchy songs of the year leads into “Evil Eye” which would have fit in nicely on their self-titled debut – all spiky guitars and shouty slogans. Things don’t slow down until towards the end with the semi-electronic pulses of “The Universe Expanded”.

Back in 2004 Franz perfectly nailed angular indie rock and they have been trying to catch up ever since. On past releases the band had expanded their sound to include bedsit ballads (“The Sound of You Walking Away”) and electronic freak-outs (“Lucid Dreams”), Right Words contains none of those. What you get is back to basics Franz Ferdinand on an album that is unlikely to win new fans and will give doubters plenty of ammunition, but it is one that long term admirers will rejoice in.

8/10

Posted in Album Reviews

Baths – Obsidian (2013)

bathsIf you could draft indie rock bands like fantasy football, Will Wisenfeld (aka Baths) would be the very definition of a sleeper. His debut album, the understated Cerulean, was picked by several websites as an honourable mention for album of the year and as one of the “best albums you didn’t hear”. Lumped in with the chillwave phenomena, Cerulean was a decidedly warmer affair than that label would suggest.

New album, Obsidian has a similar sound but is more direct and adds a whole new level of despair that was not present on the 2010 debut. Wisenfeld battled the E Coli virus that left him bedridden for months and heavily influenced the often bleak themes explored on this third release (Pop Music/Failed B-Sides was quietly released in 2011). “Where is God when you hate him the most” (“Worsening”) and “I have no eyes, I have no love, I have no home” (“No Eyes”) are typical of the thoughts throughout.

While the mood is similar, the clattering rhythms and melodic synth lines on tracks such as “Miasma Sky” and “Phaedra” add a glitch pop shot into the equation. Obsidian can be stark and hopelessly introspective at times but the more focused approach makes for a more compelling experience than the often hazy and vague feel of the debut.

7/10

Review also found at UMFM.com

Posted in Album Reviews

Phosphorescent – Muchacho (2013)

phosphMatthew Houck has released six albums as Phosphorescent but it was the last one, 2010’s Here’s to Taking it Easy, that gained the project more widespread attention. Originally from Alabama, Houck now makes his home in the very trendy Brooklyn borough. While he fits in well with the NY hipsters fashion wise, musically Houck has far more in common with Willie Nelson whom he paid tribute to with an album of covers in 2009 with To Willie.

Born out of a failed relationship and losing his home in the aftermath of the last tour, new album Muchacho wears those scars on its sleeve. After a Beatlesque “Sun King” like introduction, “Song for Zula” shows where Houck’s head when he intones that “I saw love disfigure me”. You can practically feel a lump form in your throat when the horns come in on “Muchacho’s Tune” while the raucous chorus of “A Charm/A Blade” is an absolute joy.

There is definitely some truth to the knowing line in “Down to Go” when Houck sings, “you say, ‘oh, you’ll spin your heartache into gold’”. For several albums in a row, Phosphorescent has done just that. 2013 has seen many great albums released and Muchacho is definitely one of the highlights.

8.5/10