Posted in Album Reviews

Kaiser Chiefs – Kaiser Chiefs’ Easy Eighth Album (2024)

The Kaiser Chiefs make it easy to remind you how many albums they have recorded on The Kaiser Chiefs’ Easy Eighth Albums.  Easy it is with barely a moment that is not sugary to consume like cotton candy. “Beautiful Girl” has a light guitar riff on a track whose chorus sounds ripped from a One Direction outtake. The legendary Nile Rodgers co-writes first single “Feeling Alright” that rides a bass groove as Ricky Wilson sings, “No one you love is ever dead/they’re always in your head/in your heart dancing”.

“Burning in Flames” sounds ready to be sampled as an EDM anthem while “How 2 Dance” sounds spot on like the band Black Kids circa 2008. Towards the end, the album starts to drift with several unmemorable songs before rebounding with “The Lads”.  Now well into their forties, the group sounds like a band half their age.  Whether that’s a positive or negative depends on how much you enjoy fluffy indie dance rock.

6/10

Posted in Album Reviews

St. Vincent – All Born Screaming (2024)

On her seventh studio album, All Born Screaming, St. Vincent (Annie Clark) takes on full production duties for the first time. Several notable guests on the album include Dave Grohl who adds a pummeling quality to “Flea” and Cate le Bon on the title track that has touch of Vampire Weekend for the first half, breaks free with a sped up heartbeat beat in the middle before ending in electronic abyss.

The album begins with the distant beats of “Hell is Near” that mixes live instrumentation with electronics. Also featuring the drums of Grohl, “Broken Man” has a strut made for the industrial dancefloor. Clark brings the vibe down a notch with the James Bond like “Violent Times” that has a great vocal plus the laid back reggae vibe of “So Many Planets” about searching for a place to belong.  As an album, All Born Screaming far more often than not brings the substance along with the impeccable style.  

8/10

Posted in Paper Chase

Steven Pressfield – The War of Art

In The War of Art, Steven Pressfield describes the ways in which resistance keeps us from achieving our goals. Resistance comes in many forms such as procrastination, fear, and self doubt. While the book’s main focus is on writing, the same concept can be applied to self-improvement, house projects, office work, painting, etc.   Overcoming this resistance and putting in the work is the difference between an amateur and a pro.

Like his other non-fiction books, The War of Art is an easy to read book with chapters being just 1-2 pages long.  It’s easily relatable as Pressfield touches on many topics that stop the average person from doing what they set out to do and ways to overcome this.  There is a reason this book keeps getting recommended by so many people/websites – it’s an inspiring bit of quick reading to help refocus on the task at hand whether it’s writing, painting, learning, or working.

8.5/10

Posted in Album Reviews

Julia Holter – Something In The Room She Moves (2024)

Like everyone over the last few years, Julia Holter has had her fair share of challenges.  Becoming a mother during COVID, contracting the virus and losing her voice, plus the loss of family including her 18 year old nephew. Pitchfork lists her newest album, Something In The Room She Moves as “experimental” which is an apt term.  Melding jazz, ambient, RnB, etc into a blend that drifts along dreamily over the 50+ minute running time.

First single and song, “Sun Girl” creates a disorienting sensation including a bit of a jazz feel. The title track turns on sophisticated RnB with a touch of Kate Bush where she sings, “What I seek could be so nice” on one of the album’s highlights. “Spinning” has thumping percussion with a 70s synth that does that retro yet futuristic thing with a catchy chorus where Holter sings “I’m in the way/the tears are mine”.

Like her past albums, there is a lot to like on Something In the Room She Moves including the soft touch of closing track “Who Brings Me”.  The album as a whole can be a laidback challenge to listen as she experiments (there’s that word again) with sound and atmosphere.  Somehow, Julia Holter always makes it compelling with a desire to hear more of what she’s working on.  Adding a more straightforward, for her at least, couple of songs would make it a bit more accessible to a wider audience but for many, we’re happy to follow where she takes us.

7.5/10

Posted in Album Reviews

The Lovin’ Spoonful – Greatest Hits (2000)

The New York based 60s folk rock group The Lovin’ Spoonful released their first single, the #9 single “Do You Believe In Magic” in July of 1960. The track sees singer John Sebastian talk of the pure joy of music and leads off their Greatest Hits album from 2000.  Coming in at a generous 26 songs, three of the first five tracks are classic 60s folk pop songs. “Daydream” has an old timey feel complete with a whistle bit for fans to join in.  The easy going “Did You Ever Have to Make Up Your Mind” captures the hardship of having to choose between two potential partners in a situation that is “not often easy and not often kind”.

Those songs see The Lovin’ Spoonful at their best, much of the rest of the album is a pleasant batch of songs that sound like they could be strummed around a beach campfire or appear in the background of a movie. Another top ten hit, “You Didn’t Have To Be So Nice” has a nice melody, “Darling Be Home Soon” adds strings/horns on an introspective soundtrack song, and “Jug Band Music” is a fun upbeat number. The one standout from this is arguably their best song – “Summer In the City”.  The track captures the essence of New York City in the stifling heat of the summer complete with car horns honking, “but at night it’s a different world/go out and find a girl”.  The grit and coolness of the city oozes out of the #1 hit.

Within a few short years, the group over.  Complications due to founder/guitarist Val Yanovsky’s arrest for marijuana in 1966 helped in the demise with Sebastian leaving a couple years later. Drummer Joe Butler carried on the band’s name for one more album where he was the only original member. Surprisingly it turned out a very good ending track for this compilation with “Never Going Back”.  Over the last 50 years, The Lovin’ Spoonful’s handful of hits have lived on forever on AM radio.

7/10