Posted in The Light Never Goes Out

…it’s all over the front page…

Posted in Album Reviews

Vampire Weekend – Father of the Bride (2019)

One of my favourite things about any new Vampire Weekend release, is the savage critique that Jim DeRogatis from Sound Opinions levels at it.  While I generally don’t agree with much he says about the band, it is an amusing counterpoint to the near ecstatic reviews the band is used to.  On Father of the Bride, this is no different. With producer and multi-instrumentalist Rostam Batmanglij no longer in the band but appearing here, it’s virtually an Ezra Koenig solo effort.  And what an effort.

Once again, the band chose to work with Modern Vampires of the City in demand producer, Ariel Rechtshaid.  Danielle Haim appears throughout the album most notably on the country sounding first track, “Hold You Now” and on what could be a lost Fleetwood Mac number from the 70s, “We Belong Together”. First single, “Harmony Hall” is the standout track from the first half of the album.  Alluding to hate speech appearing in universities, the mostly acoustic verses give way to nice piano bits in the chorus where Koenig makes the, “I don’t want to live like this, but I don’t want to die” lyric sound like an anthem.

Sharing the same name as a Charlie Puth track, “How Long”, has a slinky bassline that powers the music with a killer chorus that could easily be mistaken for the latest slick pop singer on hit radio.  One of the hardest songs here, “Sympathy”, with a vocal that sounds similar to Paul Simon, starts a run of music that is one of the best of the year.  “Stranger” also shares certain Paul Simon vocal influences but this time in a more upbeat, cheerful track.  Coming in at just over two minutes, “Sunflower” and its longer cousin “Flower Moon” both feature Steve Lacy from the band The Internet. “Sunflower” is the strongest of several shorter tracks that appear while the latter has a spoken vocal possibly influenced by Lou Reed.

Coming at eighteen tracks, there are a few slower moments like “Big Blue” that doesn’t leave much of a mark over it’s two minutes and “My Mistake” suffers the same fate. This is minor quibbles on an album that has several runs of great songs.  Coming into summer, this is definitely one to have on for long road trips and days at the beach.  Regardless of what either Sound Opinion guy says, this is one of the best releases thus far of 2019.


Posted in Album Reviews

The Cars – The Cars (1978)

Originating in Boston in the mid-70s, The Cars released their self-titled debut in the early summer of 1978.  Forever featured on compilations like Time Life Collections, the band was at the foreground of the new wave scene.  Adding synthesizers to classic, but minimalist songwriting proved to be a winner. Though none of the three official singles cracked the top 25, the album stayed on the charts for a mind boggling 139 weeks with most of the tracks being played endlessly on AOR radio stations.

In 2002, Elektra Records released The Cars compilation Complete Greatest Hits that pulled 6 of the 9 songs from the debut.  The three aforementioned singles; “Good Times Roll”, “My Best Friend’s Girl”, and “Just What I Needed”, are all classic American rock songs.  80s teenage movie goers will always remember “Moving In Stereo” being used to great effect in Fast Times at Ridgemont High.  Of the tracks not appearing on the greatest hits collection, only “I’m In Touch with your World” suffers from a bit too much artiness.  “Don’t Cha Stop” is a fun upbeat romp and “All Mixed Up” pushes the synthesizers to the foreground, adds some atmosphere with Queen like group singing and a fine sax solo at the end. 

The Cars debut features the songwriting of bandleader Ric Ocasek who wrote all the tracks with help from keyboardist Greg Hawkes on “Moving In Stereo”.  Bassist Benjamin Orr takes over lead vocals on several tracks including “Just What I Needed” and sounds very similar to Ocasek’s so blends in seamlessly.  Along with guitarist Elliot Easton and drummer David Robinson, The Cars was one of the best debut albums of the 1970s.