Posted in Album Reviews

The Doors – The Soft Parade (1969)

Posted on by Michael

The Doors last album of the 60s, The Soft Parade, is a mixed bag of sorts.  Combining their Californian take on the blues (“Shaman’s Blues”) and lengthy album closer (“The Soft Parade”), the band add orchestration and a nostalgic feel to their sound.  The story goes that singer Jim Morrison hated the Robby Krieger penned opening track, “Tell All The People”.  Still, Morrison turns in a solid vocal performance on the somewhat schmaltzy track. Not coincidently, this is the first album by The Doors where songs are credited to individual writers instead of the band as a whole.

Much better is the top 3 US hit, “Touch Me”.  The organ and drumming of John Densmore build up before the song bursts into a showtune.  A sax solo later appears as Morrison croons, “I’m going to love you/Til the heavens stop the rain”.  One of The Doors finest songs.  While mostly inessential, “Do It” sounds like it could have been released in the late 80s during the second coming of love with it’s swirling organ and groovy bass. The band give a nod to Otis Redding who had recently passed away on “Runnin’ Blue” and throw a few good guitar licks on “Wild Child”.

The aforementioned title track reaches for greatness like previous album closers, but instead goes all over the place then ends up nowhere.  The album went top ten in the US but did inexplicitly neither “Touch Me” nor the album charted in the UK. One of the lower reaches of The Doors career but still turns in a few fine performances especially the drumming of Densmore.

7/10

Posted in Album Reviews

Leonard Cohen – Songs Of Love And Hate (1971)

Posted on by Michael

Leonard Cohen’s third album, Songs Of Love And Hate, came out in the late winter of 1971.  Again working with producer Bob Johnston, the first half of the album feature longer songs, that can be really dark with few choruses. This starts right away with the intense guitar work of first song “Avalanche”, a dark and moody lament covered in six verses. A children’s choir appears on “Dress Rehearsal Rag” where Cohen sings “That’s not the electric light, my friend/That is  your vision growing dim”.

“Love Calls You By Your Name” gets attention right from the start with strings adding a cinematic intensity to Cohen’s poetry. On “Joan of Arc”, Cohen sings for the famous martyr that she is “tired of the war” and wants to wear “a wedding dress”.  The  most well known song here, “Famous Blue Raincoat” is another cinematic track that is a classic Cohen.  No less sullen than anything else on the album, the words “the last time we saw you, you looked so much older” still cut.

The first side of Songs Of Love And Hate can be a tough go.  Sounding like Bob Dylan at times but mostly it wallows in sadness. The second side is easier to get through with its intriguing stories. orchestral strings and slightly less moody atmosphere.

7.5/10

Posted in Album Reviews

Sufjan Stevens – Javelin (2023)

Posted on by Michael

2023 was not the easiest year for Sufjan Stevens.  He lost his partner Evans Richardson IV which is touched on in the first track, “Goodbye Evergreen”.  He also posted on his Instagram page in the fall that he had been hospitalized with Guillain-Barre syndrome and was undergoing physical rehab. Several songs on Stevens’ 10th studio album have a spiritual side including “Genuflecting Ghost” and his cover of Neil Young’s “There’s A World” where, “There’s a world you’re living in/No one else has your part”.

First single, “So You Are Tired” is a touching song where he sings in his soft voice that “I was the man still in love…”. The 8 minute “Shit Talk” is an album highlight, a bit more cynical where Stevens’ sings that “our romantic second chance is dead” before sounding more hopeful in the second part of the song. Javelin was highly regarded by critics last year as a return to the singer-songwriter style that Sufjan Stevens has been successful with in the past like 2015’s Carrie & Lowell.  For these ears, Javelin is a good album but with only a couple truly memorable songs.

7/10

Posted in Album Reviews

Pink Floyd – A Saucerful Of Secrets (1968)

Posted on by Michael

On just their second album released in 1968, Pink Floyd already had to shake up the band.  With Syd Barrett’s mental state further deteriorating, they brought in guitarist David Gilmour.  Barrett’s last track with the band appears as the last song on the album, “Jugband Blues”.  Pink Floyd retained some of the whimsy from their first album on tracks like “Remember a Day” written/sung by keyboardist Richard Wright with solid drumming from producer Norman Smith.

“Let There Be More Light” starts off the album with a heavy guitar riff and psychedelia floating around on a song about UFOs. Hushed vocals almost sound secretive. Similarly, “Set The Controls For The Heart Of The Sun” has Waters basing the lyrics on Chinese poetry, delivered in a serious deadpan manner.  The mysteriously atmospheric track is the heart of the record and features all five members of Pink Floyd.  At 11 minutes, the title track’s collage of sound misses the mark.  With a handful of very good songs, the sophomore release of A Saucerful of Secrets is more than just a curiosity in the Pink Floyd collection.

7.5/10

Posted in Album Reviews

Paul Simon – Seven Psalms (2023)

Posted on by Michael

At the age of 81, Paul Simon released his fifteenth studio album – the meditative Seven Psalms. Seven songs appear as one musical suite with a running time of 33 minutes. Bells chiming to open “The Lord” is one of the few sounds to be heard other than acoustic guitar, as Simon sings “Tears and flowers dry over time”. He casts his heaven bound doubts on “Your Forgiveness” where he is “hoping the gates won’t be closed”.

“My Professional Opinion” sounds more like a typical Paul Simon song. A bit more jaunty and upbeat with some funny observations that he “heard two cows in conversation/one called the other one a name”.  Like the end of many tracks here, Simon then reverts back to the lyrics/tune of “The Lord”. Wife Edie Brickell appears on two tracks, sounding angelic on the final track “Wait” where she sings that “heaven is beautiful/it’s almost like home”.

Seven Psalms was named as Uncut’s second best album of the year, an amazing feat for the octogerian. The album has also received near universal acclaim in its reviews.  It is an album that is not designed to have on the background while running errands but for quiet contemplation.  A fine album that listeners a lot younger than 80 can return to from time to time.

7.5/10