Posted in Album Reviews

Pulp – More (2025)

It’s been 24 years since the last Pulp album, the very good We Love Life from 2001. In between there have been scattered concerts, festival gigs, singer Jarvis Cocker’s solo albums, Russell Senior leaving, and unfortunately the passing of bass player Steve Mackey. Getting the rest of the band back together, Pulp enlisted mega producer James Ford to help in the recording. 

First single and track, “Spike Island” explodes out of the speakers where Jarvis sings, “I was born to perform… I exist to do this” – and the listener believes him. “Tina” is a quintessential Pulp song about crushing on a girl but always just missing her, perfect indie pop in the chorus. From there the album goes a bit disco in spots with the house like anthem “Got To Have Love” and the throbbing bass of “Slow Jam”.

The band also includes several slower, midtempo tracks like “Background Noise” that sounds like a holdover from 20 years ago plus the saluting of their Northern home of Sheffield (“The Hymn of the North”) and an ode to the beauty of the sunset (“A Sunset”). It’s a good album that adds in the dance elements from some of Jarvis’ solo work but also sticks to what they do best.  Sophisticated pop music that touches on the dark corners in life. That used to be at the club then the bedroom afterwards but now it’s at the “Farmers Market” remembering those younger times instead.

7.5/10

Posted in Album Reviews

Jarv Is – Beyond the Pale (2020)

Beyond The Pale-Orange Vinyl

Since Pulp’s last album, We Love Life in 2001, band leader Jarvis Cocker has released four albums under various names.  His latest as Jarv Is features tracks recorded at various gigs along with studio material. With no crowd noise, it is indecipherable to figure out which is live and which is not. In the Pale is another album indebted to Leonard Cohen but unlike last year’s Robert Forster release, Jarv Is shows that even in old age one can still get down, live in the shadows, and stay out all night.

Jarvis’ lyrics flash back to the old rave days on first single “Must I Evolve” before exclaiming, “I’m so glad we made it”.  Those same ravers are recalled on the loungy “Swanky Modes” where “some still scoring cocaine/some laid up with back pain”.  The chorus on “Children of the Echo” has a memorable vocal effect and opener “Save The Whale” gets expansive for a moment when Jarvis tells us to “mooove”. The album unfolds across 7 songs in 41 minutes.  A mature album with several solid moments.   

7.5/10