Tag: Julia Holter

A companion piece to her last album, Something In The Room She Moves, Materia is Julia Holter’ seventh studio album. Originally released as a standalone single, “The Laugh Is In The Eyes” is a sun dappled, swirling playground of sound – “I still love that day/We chased our tails around”. “Fantasy” has celestial bells ringing.

Both producing and playing most of the instruments herself, Holter records two new versions of her “Materia” track.  The first is a woodsy jazz recording, the second closes the album by leaning into R+B.  In between is the 10 minute epic, “My Twin”.  Holter’s songs exist on a different plane than most of her peers, Materia gives us seven more songs to get lost in late at night.

8/10

Like everyone over the last few years, Julia Holter has had her fair share of challenges.  Becoming a mother during COVID, contracting the virus and losing her voice, plus the loss of family including her 18 year old nephew. Pitchfork lists her newest album, Something In The Room She Moves as “experimental” which is an apt term.  Melding jazz, ambient, RnB, etc into a blend that drifts along dreamily over the 50+ minute running time.

First single and song, “Sun Girl” creates a disorienting sensation including a bit of a jazz feel. The title track turns on sophisticated RnB with a touch of Kate Bush where she sings, “What I seek could be so nice” on one of the album’s highlights. “Spinning” has thumping percussion with a 70s synth that does that retro yet futuristic thing with a catchy chorus where Holter sings “I’m in the way/the tears are mine”.

Like her past albums, there is a lot to like on Something In the Room She Moves including the soft touch of closing track “Who Brings Me”.  The album as a whole can be a laidback challenge to listen as she experiments (there’s that word again) with sound and atmosphere.  Somehow, Julia Holter always makes it compelling with a desire to hear more of what she’s working on.  Adding a more straightforward, for her at least, couple of songs would make it a bit more accessible to a wider audience but for many, we’re happy to follow where she takes us.

7.5/10

In the past two years, Los Angeles artist Julia Holter has released three albums. The first two, Tragedy and Ekstasis contained nods to ancient Greek plays and Virginia Woolf. Her newly released third, and first for Domino Records, was influenced by the novella and movie Gigi. Lowbrow this is not.

Loud City Song is the first of her albums to be recorded in a studio with other musicians and features a definite jazz flavour on many of the tracks. The first notes heard on single “In the Green Wild” are of a double bass one would normally hear pouring out of a jazz café. A breathless cover of 60s R&B staple “Hello Stranger” shows what a beautiful singer Holter is and does not sound too dissimilar from a slow motion version of Lisa Stansfield. Towards the end of the album, there is a Feist like bounce on “This Is a True Heart”.

2012’s Ekstasis’ dream pop was perfect for falling asleep to but Loud City Song comes alive while walking through the city on a bright and sunny afternoon. The appropriately named “Horns Surround Me” is enhanced by the rustling of fall leaves under feet, the sound of cars rushing by, and birds singing. On Loud City Song, Holter has truly captured the sound of the urban environment and is a vibrant follow-up to her first two excellent albums.

8.5/10

Review also found at UMFM.com