Posted in Listed

20 Musical Musings – 2026 (Part 2)

Right in the middle of Britpop renaissance of 2025 was the live return of the Gallagher brothers in a reformed Oasis line-up. Thrillingly for longtime fans, 3/5ths of the original band were included with Bonehead joining on guitar – a thrill to see one of the main members joining in on the fun.  Drummer Joey Waronker was included along with Gem Archer and Andy Bell to round out the main band.

Sticking to Oasis’ heyday, the group ran through the highlights of the 1994-97 era. With their most elaborate stage show ever, the band played the exact same set every night including the second night of the Toronto shows which we saw. The devotion, intensity, love, and excitement was in the air as the Adidas wearing crowd sang along to every lyric including all the B-sides. Doing the Poznan to “Cigarettes and Alcohol”, the Noel sung “Half The World Away”, a reminder of who is the “Rock ‘n’ Roll Star” and closing with “Champagne Supernova” – The hype was real, this was a remarkable live comeback.

It had been 24 years since we got an actual album from Jarvis Cocker with his old mates in Pulp. Sadly, More is the first album since the passing of bassist Steve Mackey. Still, he would be proud of what the band produced with several highlights including  the upbeat “Spike Island” and the mature, “Farmers Market”.  They’ve done many tours throughout the years, here’s hoping that it doesn’t take as long to release another album.

Author Peter Ames Carlin has written several music biographies on musicians such as Paul Simon, Bruce Springsteen and Paul McCartney.  In late 2024 he published a book on alternative rock heroes R.E.M. called The Name Of This Band Is R.E.M. Carlin writes about each member’s early childhoods, their days in Athens, signing with IRS Records, then right through their ascendency to rock superstars (then back down again). Thankfully there is little in the way of salacious gossip but doesn’t shy away from a few incidents of controversary. A really good read about one of America’s greatest bands.

Sadly, the British trio Saint Etienne announced their retirement in 2025, bowing out with two new albums. In our musical journey, we reached way back to the deluxe edition of their 1993 debut, Foxbase Alpha that was released in 2016.  It’s an eclectic mix of 60s pop, indie rock and club beats. Original tracks like “People Get Ready” stand alongside magnificent covers including Neil Young’s “Only Love Can Break Your Heart” and the spellbinding take on Field Mice’s, “Kiss And Make Up”. The extra disc of rarities almost eclipses the actual album. 

One distinct memory of high school was having a substitute math teacher quote Paul Simon’s 1973 single, “Kodachrome” with the line, “When I think back on all the crap I learned in high school”. I’m not sure if the teacher was disgruntled or trying to be edgy but I may have been one of the few in the class that knew the lyric but not much of the rest of the song. While reviewing the album it appears on, “Kodachrome” really sunk into my conscious and remained there for months. Singing about the joys of owning a Nikon camera that captures the green of summer and makes everyday seem sunny swirled in my head, now making it one of my favourite Paul Simon songs.

I’ve owned The Supremes’ greatest hits album Gold for years now. Listening to the hits, especially the unbeatable one-two punch of “You Keep Me Hanging On” and “You Can’t Hurry Love”.  This was the year I finally did a deeper dive into the singles released with and without Diana Ross. With a staggering twelve #1 hits, it felt like barely scratching the surface to do a review. Still, it was a exciting to find other tracks to listen to like the excellent “Stone Love” and dancefloor filler “Love Is Like An Itching In My Heart”.

Honestly, I bought Thompson Twins’ deluxe edition of Into The Gap on a whim. It was a favourite tape from the early 80s that I had never bought on CD.  After seeing it advertised many times, I took the plunge into the three disc version released in 2024.  Filled with several top ten UK hits including “Doctor Doctor”, “You Take Me Up” and worldwide hit “Hold Me Now”, the original record plays like a greatest hits. Adding in countless versions of all the songs on the album, it was a fun listen to a great album from an era where songs were reworked constantly for the dancefloor.

Dean Wareham made his name with his bands Galaxie 500 and Luna. He’s mostly been on the periphery of my music listening – always around but rarely front and centre. That changed immediately with the release of his sixth solo album, That’s The Price Of Loving Me that came out in the spring. The album has appeared in a few critics top albums of 2025 but for others got lost in the mix. The sun dappled record was often dreamy and hypnotic, bookended by two excellent songs including the closer – “The Cloud Is Coming”.

North Carolina band Wednesday made waves in 2023 with their album, Rat Saw God and continued that momentum with this year’s critically acclaimed, Bleeds. One of the highlights of the album was the lap steel guitar sounds of “Elderberry Wine”. The track sees singer Karly Hartzman lovingly stretch to hit the high note in the chorus before later harmonizing with guitarist MJ Lenderman.  A memorable sing-a-along single from a really good album.

Wet Leg exploded onto the scene in 2023 with several singles including the enduring, “Chaise Lounge”. They would have been forgiven for hitting a sophomore slump after the initial clutch of songs but leaders Rhian Teasdale and Hester Chambers were having none of that.  Adding their touring band into the official line-up, the now five piece band came back with the excellent moisturizer. Love was the main focus of the album, including on the track “CPR”  but the band was just as feisty as ever on the threatening “Catch These Fists”.

Posted in Paper Chase

Peter Ames Carlin – The Name Of This Band Is R.E.M.

After writing about such musical artists as Paul McCartney and Paul Simon, experienced rock and roll author Peter Ames Carlin turned his attention to R.E.M. for the biography, The Name Of This Band IS R.E.M. released in late 2024.  Covering the band’s history from childhood to their first concert in an old converted church in Athens GA and later onto superstardom.  The band had a quick rise in the music world from bar band to capturing Rolling Stone magazine’s album of the year in 1983 for their first release, Murmur.  They stayed at indie label IRS Records through the mid-80s before switching to Warner Brothers Records. The band was soon on a collision course with rock supremacy as albums such as Out Of Time and Automatic For The People topped the charts around the world.

Throughout the book, Carlin emphasis what a great bunch of guys the band is even as they navigate the murky world of the music business and fame.  A few casualties appear along the way including their former manager Jefferson Holt who has been virtually erased from their story. Other stories include those around them that tried to get R.E.M. to go for a more commercial sound or at least produce a video that MTV would actually show as they steadily accumulated album sales. The band also grappled with fickle early fans who were not happy as Michael Stipe’s singing voice could actually be heard above the music and not lost in an ocean of mumbles as they moved away from some of their more underground music philosophies.  While the members of R.E.M. did not participate in the book, they did not block Carlin from interviewing various friends and associates.  It’s a fascinating account of one America’s truly great rock and roll bands.  

9/10

Posted in Album Reviews

R.E.M. – Automatic For The People (25th Anniversary 2CD Edition) (2017)

While I was aware it was happening, I didn’t bother with any of the R.E.M. reissues that have been coming out over the last 10 years or so.  I finally dipped in with a not yet reviewed Out of Time in 2016 and absolutely loved the sound so started collecting the other more readily available remasters.  For it’s 25th Anniversary in 2017, the band issued deluxe versions of Automatic For The People.  Originally released in 1992, this elegiac album went supernova amongst a sea of grunge, baggy Manchester beats and the golden age of rap.

First track and single, “Drive” recalls David Essex’s “Rock On”.  While barely scraping into the top 30 in the US, the song made the top 10 in Canada.  The band tip it’s hat to another classic, “The Lion Sleeps Tonight” with the upbeat “The Sidewinder Sleeps Tonite” which plays like this album’s “Shiny Happy People”.  The Bill Berry written “Everybody Hurts” was everywhere in 1993 and its freeway traffic jam video images are one of the most memorable of the 90s.

The politically driven “Ignoreland” blasts out of the speakers as the hardest track here.  Destined to be a concert classic, “Man On the Moon” was virtually a non-hit when released as the second single.  Featuring just Michael Stipe and Mike Mills on piano, the penultimate track, “Nightswimming” is one of the most beautiful tracks the band ever released, one easily recalled at the lake when the sun starts to set.  Hard to follow up one of the best tracks in the band’s long cannon, “Find The River” closes out the album on yet another high note with Stipe noting, “nothing is going my way”.  While Out of Time is what pushed them into superstardom, Automatic For the People is R.E.M. at the peak of their powers.

Having waited nearly two years to see if the super deluxe version would drop it price, it has never fallen much below $90CAD.  Finally losing hope on that set, instead we opted for the 2CD deluxe with the biggest loss being a disc of rarities not included here.  What is included is a 1992 concert from the 40 Watt Club in Athens, Georgia.  Famously the band did not tour for either Out of Time or Automatic so this is a rare live recording from that era. 

The disc gets off to a bit of a shaky start with four tracks from Automatic that don’t really hit including the aforementioned “Man on the Moon” that a few years later on the Monster tour would turn into a massive singalong. Where the band really hit their stride is with tracks from Out of Time including a sparkling version of “Losing My Religion” that will now be my go-to version on playlists.  This is followed up with a haunting “Country Feedback” and a bouncy version of “Me In Honey”.  Berry’s thunder like drumming and Peter Buck’s swirling guitar power the band through 1986’s “Begin the Begin”.  Two covers appear in the Mill’s sung, and The Turtles classic, “Love Is All around” before Stipe returns with The Stooges “Funtime”.  To finish off the night, the band lift the roof off the club with rip roaring version of “Radio Free Europe” showing off the chops that made them one of the must-see bands through the 80s and 90s.

Automatic For The People – 10/10

Live At The 40 Watt Club – 8/10