The cover of St. Vincent’s new album features Annie Clark in stockings, lingerie, and dyed blonde hair looking seductively at the camera with the title Daddy’s Home in a 70s font. The reality is far from the fantasy being presented. The title is a reference to her father returning home after being in prison for several years for fraud. On the title track, Clark turns visiting her dad in prison into one of the more intriguing tracks on the album where she “signed autographs in the visitation room/waiting for you the last time, inmate 502”.
On her sixth album, St. Vincent presents several soulful funky tracks. “Down and Out Downtown” is a laid number about coming home the morning after the night before. It does a better job than the opener and first single “Pay Your Way in Pain” that strives to sound like Prince but it’s electro-funk comes up short. The album gains some steam towards the end with “Candy Darling”, a quick two-minute ode to the Andy Warhol actress.
The songs that work best are the ones where Clark looks inward. On “Somebody Like Me” she asks over an acoustic guitar “Does it make you a genius or the fool of the week to believe enough in somebody like me” and adulthood hits on “My Baby Wants a Baby” where she wonders “what would my baby say, I got your eyes and your mistakes”.
“…at the holiday party” is intended to be a modern take on the The Rolling Stones’ “You Can’t Always Get What You Want”. While it is not as great as that classic, it is a really cool track about the pharmacy that some have in their purses. There are a few bright spots on “Daddy’s Home” as St. Vincent is far too talented not to show her skills but the sub funk/R+B tracks are not the area where she excels. Co-produced with Jack Antonoff, Daddy’s Home is a rare miss for both.