David Bowie returned in 1974 with Diamond Dogs that was to be based on George Orwell’s sci-fi novel 1984, among other partially worked out ideas. The project sees him once again working with Tony Visconti, on a vision that creates a sleazy, post-apocalyptic future. After a spoken word introduction, the title track announces “This ain’t rock n roll, this is genocide”. The backing vocals sounds like they are coming from underwater on the gritty fan favourite.
Through a three song suite, “Sweet Thing (Reprise)” appears as a punk/funk blast that rides into the classic single, “Rebel Rebel”. Surprisingly, this was a top five hit in the UK but missed the top 50 in the US. Still a sure-fire dancefloor filler and a great singalong to the chorus ender, “Hot Tramp, I love you so” over a killer guitar riff from Bowie who took over the role from Mick Ronson. “Rock n Roll With Me” has a catchy chorus and more of a classic 70s rock sound. Later, “1984” gives a glimpse into Bowie’s future sound with Blaxploitation funk on a track that was then covered by Tina Turner.
Throughout its history, Diamond Dogs has very mixed reviews. From classic status in one publication to less than complimentary write-ups by other reviews. It is a mixed bag of tracks that are actually quite good but right from the unappealing cover art of Guy Peellaert to the creepy spoken word introduction, it leaves a bit of a bad taste. Still, even Bowie with a few partial ideas for an album can influence sounds later heard on punk, goth, and the dirtier/artier side of Britpop.
7/10
The Light Appears 
I like the album and agree with your rating.