Posted in Album Reviews

The Breeders – All Nerve (2018)

51nAWa9XUiL._AA327_QL65_25 years ago The Breeders released their classic album, Last Splash featuring the iconic single “Cannonball” and “Divine Hammer”. That line-up included Kim and Kelley Deal on guitar along with Josephine Wiggs on bass and Jim Macpherson on drums. The band broke up soon after but came together for the 20-year anniversary tour. Sparked by that tour, the reformed band released All Nerve in earlier this year.

The album starts out with a fine burst of early 90s alt rock in “Nervous Mary” and first single “Wait in the Car”. The title track is a touching yet messy love song. The album unfortunately peaks here. “Spacewoman” and “Walking With a Killer” are both fine coming off the bench tracks but here they are thrust in the starting line-up and can’t keep up. The rest of the album doesn’t offer up any surprises or standouts. It’s nice to have the band back together but All Nerve is not the record you want to hang out with on a regular basis.

6/10

 

Posted in Album Reviews

Rolling Blackouts CF – Hope Downs (2018)

61YK9e4ulEL._AA327_QL65_Following up on two well received EPs, Melbourne rockers Rolling Blackouts Coastal Fever have now released their debut LP, Hope Downs.  Preceded by dynamite single, “Talking Straight”, the album contains a spry 10 tracks that trend similar indie rock ground to one another.  A great bassline propels “An Air Conditioned Man” whereas “Bellarine” ruminates that it “feels like rum is taking all my time…I never did my best”.  “How Long” simply repeats the line “what are you running from” while your foot bounces up and down to the beat.

Through the album, there is not a lot to distinguish one track from another other than how much it gets the listener nodding their head.  Tracks like “Sister’s Jeans” and “Cappuccino City” are catchy with nice guitar lines but don’t particularly go anywhere.  This will certainly appeal to fans of Supergrass, The View and Spoon. Good summer rock record for the beach.

7/10

Posted in Album Reviews

Courtney Barnett – Tell Me How You Really Feel (2018)

41M5dXB2SNL._AA327_QL65_Courtney Barnett’s 2015 debut, Sometimes I Sit and Think, Sometimes I Just Sit was a big hit with both critics and fans. Tracks like “Elevator Operator” and “Pedestrian at Best” treated audiences to Barnett’s witty banter mixed with early 90s guitar sound. Many tours later, plus a well-received effort with Kurt Vile, Barnett releases sophomore effort Tell Me How You Really Feel. After listening to the attention weary album, the title comes off more of an inward question than an outward one for the Melbourne artist.

First single, “Nameless, Faceless” features a jangly guitar melody until the chorus blows that away with distorted vocals singing the Margaret Atwood quote “men are scared women will laugh at them… women are scared men will kill them”. “City Looks Pretty” hits the ground running but slows down considerably half way in. Perhaps a metaphor for Barnett speeding through life then needing to rest. “I’m Not Your Mother…” is more harsh sounding and could easily have come straight from Nirvana’s In Utero.

Tell Me How You Really Feel is not as immediately likable as her debut. There is a tiredness to some of the tracks. “Charity” asks “You must be having so much fun/everything is amazing” before asking, “so subservient, I make myself sick/Are you listening?” The feature song here is album closer “Sunday Roast”. A sadness runs through until the uplifting chorus statement, “I know you’re doing your best, I think you’re doing just fine”. Barnett does not always make it an easy listen but one that reveals several gems through repeated listens.

8/10