Posted in Album Reviews

Deerhunter – Monomania (2013)

deerhunterWay back in the early to mid-90s, American indie rock was dominated by bands that prided themselves on the lo-fi esthetic. Albums by Pavement, Archers of Loaf, Guided By Voices, and Sebadoh were filled with fuzzed up alt rock that buzzed with reckless abandon but still contained perfect pop nuggets next to all the noise. Bradford Cox is locked into this sound with Deerhunter’s fifth album, Monomania.

The distorted vocals of “Neon Junkyard” and the abrasive “Leather Jacket II” open up the album in the true spirit of ’94. But then this gives way to guitarist Lockett Pundt’s glorious “The Missing” with its chiming guitars and expert “auxiliary hi-hat” work from drummer Moses Archuleta. “Dream Captain” sees Cox asking the “dream captain to take me on your ship” as he’s a “poor boy from a poor family, there’s nobody left to take care of me”. Monomania really hits its stride midway through with the hand clappy “T.H.M”, the introspective “Sleepwalking” and the tough yet vulnerable “Back to the Middle”.

Bradford Cox and Deerhunter never seem to take the easy road. They could have delivered an album filled with tracks such as “Memory Boy” and “Helicopter” from previous effort Halcyon Digest which just may have seen them have a post MPP Animal Collective type year. Instead, they make a left turn and deliver a scruffy batch of songs that can make for a rough first listen but quickly show their heart when put on repeat.

8/10

Review also found at UMFM.com

Posted in Album Reviews

Camera Obscura – Desire Lines (2013)

cameraIn the 17 years since their inception, Glasgow’s Camera Obscura has released some of the most perfectly crafted pop songs that the indie world has been lucky enough to hear. “Lloyd, I’m Ready To Be Heartbroken”, “Let’s Get Out Of This Country”, and “French Navy” are but a few examples. Four years after the release of My Maudlin Career comes Desire Lines which was recorded in Portland and features Neko Case back-up vocals on several tracks.

Camera Obscura continues to be a vehicle for the songs of lead vocalist Tracyanne Campbell. While seemingly guarded in interviews, Campbell’s ups/downs, fears and insecurities are always on full display within the songs of the band. “On a cold morning of you arriving, I was struggling for survival” and “you treat me like a queen but like a queen I don’t know if I’ll be slain” are themes many of us can relate to, but may not be able to say quite so eloquently.

Both “Troublemaker” and the fabulously named “Fifth In Line To The Throne” feature terrific guitar solos while Tracyanne tries to figure out a failing long-term relationship and just where she stands with her king respectively. “New Year’s Resolution” lists “writing something of value” as a goal while Corey Lander’s keyboard melody and Lee Thomson’s drumming add much colour to the country-tinged “Break It To You Gently”.

The overarching sadness of many of their tracks is what typically gets the most notice but there is also much humour to be found. The knowing “Every Weekday” line of “We’re going to make a record then sail around the world, we might not storm the charts completely but we’ll do our very best” is the band at its most charming. Elsewhere, 30+ year old listeners who no longer can make it out of the house every weekend will cast a smile to the apologizing sentiment of “I Missed Your Party”.

Desire Lines is the fifth album release for Camera Obscura and just might be their best. Campbell’s conversational lyrics are as poetic as ever and the band really shine throughout. Classic sounding without being retro and mature beyond their years, Camera Obscura are quickly becoming a Scottish National Treasure.

8.5/10

Review also found at UMFM.com

Posted in Album Reviews

Young Galaxy – Ultramarine (2013)

young galaxyAs expected, the new release from Montreal’s Young Galaxy was recently long listed for the 2013 Polaris Prize. Like their album released in 2011, Ultramarine was produced by Swede Dan Lissvik. This time around instead of working over Skype, the band decamped to Lissvik’s studio in Gothenburg to work more closely with the talented producer.

Ultramarine starts out strong with the driving pop of “Pretty Boy” which is given extra warmth by Catherine McCandles who handles vocals on all ten tracks. This is followed by the early 80s Caribbean lite electronica of “Fall Into You” and percussion heavy “Fever”. Beyond the opener, none of the tracks on Ultramarine reach the heights of last year’s excellent single “Youth Is Wasted On The Young” however; there is a lightness of touch that blows through the album making for a fine listen throughout.

7/10

Review also found at UMFM.com