Posted in Album Reviews

Beach House – 7 (2018)

61KEfYl6iVL._AA327_QL65_Since 2015, the release schedule for the band Beach House has been many. Depression Cherry and Thank Your Lucky Stars appeared within a few weeks of each in 2015 and this was followed up with a B-side and rarities collection last year. 7 is the Baltimore band’s latest release. For this listener, having those two 2015 releases come out so quickly muddied the waters and it was hard to commit to either.

In March, the band released their best song in years, “Dive”. Atmospheric at first before giving way to a driving guitar that blows all the clouds away, this is one of the singles of the year thus far. “Pay No Mind” is BH at their most straightforward but also most effecting. The vocals are more upfront so you can hear the sweet chorus more easily. First single “Lemon Glow” is darker with an insistent hi-hat that gives a slight witch house feel throughout. The electronic influenced “Black Car” recalls Ladytron without the icy vocals whereas acoustic guitar nicely warms up the otherwise melancholy “Lose Your Smile”.

Throughout 7, the duo of Victoria Legrand and Alex Scally move from strength to strength. The varied styles all flow together and make it an easy album to listen to on repeat. Time to go back and give a re-listen to those albums from 2015 that didn’t immediately hit the first time around. This also marks the first ever streamed album review for this website. Our 40 year old listening habits are evolving along with the Beach House sound.

8.5/10

 

Posted in Album Reviews

Beach House – Bloom (2012)

Several months ago when publications were creating short lists of hotly anticipated albums for 2012, Beach House were one of the heavily mentioned bands. Their third album, 2010’s Teen Dream, was a massive critical success and gained the Baltimore duo of Victoria Legrand and Alex Scally many new fans in the process. Set to do an Animal Collective and become the “it” cool band, Beach House released Bloom back in May and have been on the road ever since.

The chiming guitars of first single, “Myth”, gently welcome listeners into Beach House’s orbit, while the rolling drums pull you in deeper. Similar to many tracks on Bloom, the lyrics are like reading a book that’s missing every third page. “Wild”, tells of drunken parental concern before it loses you in a swirl of ambiguity. Both “Other People” and “The Hours” swing a bit harder in the choruses while “Lazuli”s hushed background vocals and twinkling keys recall the 80s more ethereal moments. The duo’s ability to make even the most simple moments sound majestic is one of Bloom’s most charming traits.

All the songs mentioned appear on the first half of the album and while the second half merely feels like excellent b-sides to the first half’s extraordinary singles, final track “Irene” is another Bloom highlight. Once the final chords disappear, the only thing left to do is go back to the beginning and lose yourself all over again.

9/10