Posted in Album Reviews

Broken Social Scene – Remember The Humans (2026)

Broken Social Scene, the popular Toronto based collective returned in 2026 with their sixth album – Remember The Humans. Singer/multi-instrumentalist Kevin Drew still gets top billing, having written more than half the tracks. Starting the album off, “Not Around Anymore” brings airy horns that also appear on the midtempo “Hey Amanda”. Andrew Whiteman takes over for the frisky beats of “The Call”, Jill Harris’ background vocals add to the atmosphere, as she does on several tracks.

Like most BSS records, it’s when the girls takeover that things get exciting. Hannah Georgas brings early album highlight, “Only The Good I Keep”, singing about Julie Doiron and The Smashing Pumpkins. Frenzied drumbeats programmed by Lisa Lobsinger amp up the excitement on “Relief” as she sings, “lying on my lifeline, choking me up”.

Two of the best songs appear at the end – Leslie Feist on the atmospheric Americana of “What Happens Now” and Kevin Drew returns for the lovely “Parking Lot Dreams”.  It’s been nine years since the group’s last album Hug of Thunder, here’s hoping that the next batch of songs arrive much sooner.

7.5/10

Posted in Album Reviews

Broken Social Scene – Hug of Thunder (2017)

61G2N4fVxzL._AA327_QL65_After a seven year hiatus, Toronto supergroup Broken Social Scene reconvened to record Hug of Thunder, their fifth release. “The gang is all here” is a most fitting expression for this as 18 musicians are credited on the album including all the usual bigger name suspects such as Kevin Drew, Brendan Canning, Emily Haines, Feist, etc. After a short instrumental the band hits the floor running with “Halfway Home” whereas the modern folk tinged “Skyline” sounds straight off a TV commercial that has people reaching for Shazam to figure out who sings it.

“Towers and Masons” is a unique midtempo track while the Haines’ fronted “Protest Song” is the best rocking moment here. On the opposite end of the spectrum, the hushed Feist lead title track is to these ears is the best thing they’ve done since 2002’s “Anthems for a Seventeen Year Old Girl”. “There was a military base across the street, we watch them training while we eat” is a very simple but excellent line about the state of the world. While a couple of songs drag, the band mostly wear their aging Toronto hipster (musicianship) very well.

7.5/10