Posted in Album Reviews

Laura Gibson – Empire Builder (2016)

51nsxxrskwl-_aa240_ql65_I had never heard of Laura Gibson before this year. The cover of her album caught my eye.  Featuring just Gibson’s face in a yellow top in front of a yellow wall it has the captured in a moment feel, like when the bright lights of a camera catch you standing in front of the wall in a dark club and you quickly look away.

Having moved away from Oregon to New York in order to study creative writing, the building Gibson was living in caught fire and she lost all her belongings including all of her writing. Tragically two people were killed though Gibson was not hurt.  Working on the new album, this spirit gets captured in the lyric “Two hearts, new start, every card is wild” from “Two Kids”

Gibson’s fourth, Empire Builder, starts off with the mid temp strut of “The Cause” and is followed up with the sparse “Damn Sure” whose lyrics look back on past plans that didn’t work out. The decisions that you hang your entire life on at the time but then start to fall apart. “Well, I changed my name the day I left, I cut my hair, I hemmed my dress, I was damn sure about it”.

Halfway through the album there is a bit of a lull right after the poetically heartbreaking title track.  The aforementioned “Two Kids” picks up the pace while the “The Last One” proves to be one of the better songs on the album.  “And maybe I’ll stay, or maybe I’ll hear The tiniest voice whispering to me ‘Go Go Go Go Go Go Go Go Go Go Go Go Go’” .

After reading a bit about her life, Laura Gibson seems to be a wanderer and discoverer which comes through in her art. Empire Builder is a minimal batch of songs that are confident and excellently played by Dave Depper of Death Cab for Cutie, Dan Hunt (Neko Case’s percussionist), and composer/violinist Peter Broderick.  Throughout the album, Gibson captures quite well what its like to be an adult and still trying to figure life out.

7.5/10

Posted in Album Reviews

Sturgill Simpson – A Sailor’s Guide To Earth (2016)

sturgillSturgill Simpson has been kicking around for a few years now.  His second album, the critically acclaimed Metamodern Sounds in Country Music, crossed over with rock audiences who were hip to his non-mainstream country image. Having seen Sturgill recently in concert, his lively show attracts a diverse crowd of country fans in cowboy hats as well as punk rock, rockabilly and indie rock listeners.  In the spring of 2016, Simpson released his major label debut titled A Sailor’s Guide to Earth.

The lyrical theme throughout the new album is Simpson giving life lessons to his newborn son. Album opener “Welcome To Earth (Pollywog)” is an instant classic with heartfelt lyrics that never get sappy atop a bedrock of Dap King horns. “Keep It Between The Lines” is a spirited track about staying on the straight and narrow.  Elsewhere, the strings on “Oh Sarah” can get a bit schmaltzy and the listings of cities in “Sea Stories” is less like the adrenaline rush of “Panic” by The Smiths and more like the beer stained remembrances of Springsteen’s “Glory Days”.

One of the notable tracks is Simpson’s cover of Nirvana’s “In Bloom” which sees a slight lyric change from “he don’t know what it means when I say” to “he don’t know what it means to love someone” which makes it all the more poignant and is the highlight of the album. The rave reviews for A Sailor’s Guide to Earth no doubt means that Simpson has many fans, however, I far prefer the soulful horns vs the easy listening strings that both appear throughout and I’m not sure if I will be belting out many of the on the nose lyrics on long car rides.  Having said that, when the next Sturgill concert gets announced you can be sure I’ll be one of the first in line for tickets.

6/10

 

Posted in Album Reviews

Marissa Nadler – Strangers (2016)

51jPXIHPR2L._AA240_QL65_Exactly two years ago we posted a review of Marissa Nadler’s sixth album, July. Earlier this year the talented alt country artist released Strangers. The same spare arrangements and swooning vocal accompany most tracks.  The guitar feedback on “Hungry Is The Ghost” is revelatory when placed among the quieter tracks.  While the title track is forgettable, the repeated chorus on “Janie In Love” will stick in the head for days.

Where Nadler shines is in the stories that are woven throughout the album that paint pictures as vivid as novels. “Change, change, I got married on a Sunday afternoon” from “All The Colors Of The Dark” is touching vs the darker secrets of spying on the neighbours in “Shadow Show Diane”.

Marissa Nadler’s music is unlike most of her contemporaries. Her music, album covers and videos seem to be from a different time and space.  While there is not a lot to differentiate this from her last album, Strangers is another rewarding journey into Nadler’s peculiar world.

7/10

Posted in Album Reviews

Minor Victories – Minor Victories (2016)

41j2AEn1MUL._AA240_QL65_The term “super group” gets thrown around from time to time in the music press whether its warranted or not.  In the case of Minor Victories, it deserves a caveat as we’re not exactly talking about the music equivalent of Kevin Durant joining the Golden State Warriors.  Having said that, this is an interesting group of musicians that decided to join forces and record an album (although never in the same studio at the same time).  Minor Victories includes Stuart Braithwaite (Mogwai), Rachel Goswell (Slowdive), and Justin Lockey (Editors) along with his brother James. 

The self titled debut album sounds like about what you would expect from a band made up with those members.  Shoegaze elements mixed with moody atmospherics and dramatic musical crashes.  Goswell’s voice is highlighted on “Breaking My Light” before the utterly beautiful “Folk Arp”.  Mark Kozelek of Sun Kil Moon appears on the charming duet “Love at First Sight” which details the missed opportunities with Goswell over the years.   At times Minor Victories can veer into Evanescence territory but otherwise this debut is what you would expect… a solid outing from the b-team.   

8/10

 

Posted in Album Reviews

The Rolling Stones – England’s Newest Hit Makers (1964)

4133B659Z0LAs most collectors know, the mid 60s catalogue of The Rolling Stones is a bit of a mish mash of UK vs US versions featuring different track listings and album covers. It’s one of the reasons that Let It Bleed has been the only the Stones disc I’ve owned for many years.  Wanting to start at the beginning of their career, I knew where to start but not where to go from there. Having recently finished reading Keith Richards’ entertaining Life autobiography, I went back and did research on how to build an album collection of The Rolling Stones. Taking cues from more knowledgeable fans online, I went out and bought the first five US versions of their albums starting with England’s Newest Hit Makers and man does it not disappoint.

“Not Fade Away” swings the door wide open of what to expect for the next 31 minutes. A stuttering guitar gives way to a Bo Diddley strut with handclaps and a swaggering Mick Jagger vocal. Sparks fly off of Chuck Berry`s “Carol” as well as Holland Dozier Holland’s “Can I Get A Witness”. Three original Stones tracks announce the new songwriters with the slower “Tell Me” being the definite highlight. “Walking The Dog” is all foot tapping, heading nodding, whistling greatness.

While The Rolling Stones would move onto great things, this has the sound of the best covers band in the country hitting on all cylinders. Its timeless music played impeccably well with an energy that fizzles throughout. And while there is surely no comparison between hearing this in 2016 and actually being there to see it live in 1964, England’s Newest Hit Makers does an excellent job of capturing the youthful energy of the band. You can practically feel the sweat dripping off the walls.

10/10