Posted in Album Reviews

St. Vincent – Masseduction (2017)

413m+O3PHWL._AA327_QL65_Masseduction is St Vincent’s fifth album and first with acclaimed producer Jack Antonoff who is everywhere at the moment. Similar to past releases, this is a mix bag of sounds from the talented and capital A artist, Annie Clark. First single “New York” was a song of the year choice for us from the second we heard it and second single “Los Ageless” has a killer chorus: “how can anybody love you and lose you and not lose their minds too?”

First track “Hang On Me” is the most downtempo sound here followed by the peppiest in “Pills”. The 80s robotic funk of the title track and “Sugar Boy” are less successful but the apoplectic “Fear the Future” is a roar of sound. The fury of an overdosing “Young Lover” is another high: “I heard the robins and thought they were sirens, wake up young lover, I thought you were dyin’”. On Masseduction St Vincent continues to be one of the most interesting artists working around the fringes of the mainstream.

p.s  I thought the album was called Mass-Education  until a few days ago…

7.5/10

Posted in Album Reviews

Broken Social Scene – Hug of Thunder (2017)

61G2N4fVxzL._AA327_QL65_After a seven year hiatus, Toronto supergroup Broken Social Scene reconvened to record Hug of Thunder, their fifth release. “The gang is all here” is a most fitting expression for this as 18 musicians are credited on the album including all the usual bigger name suspects such as Kevin Drew, Brendan Canning, Emily Haines, Feist, etc. After a short instrumental the band hits the floor running with “Halfway Home” whereas the modern folk tinged “Skyline” sounds straight off a TV commercial that has people reaching for Shazam to figure out who sings it.

“Towers and Masons” is a unique midtempo track while the Haines’ fronted “Protest Song” is the best rocking moment here. On the opposite end of the spectrum, the hushed Feist lead title track is to these ears is the best thing they’ve done since 2002’s “Anthems for a Seventeen Year Old Girl”. “There was a military base across the street, we watch them training while we eat” is a very simple but excellent line about the state of the world. While a couple of songs drag, the band mostly wear their aging Toronto hipster (musicianship) very well.

7.5/10

Posted in Album Reviews

The National – Sleep Well Beast (2017)

41vvuqcUxVL._AA327_QL65_In Lizzy Goodman’s excellent book, Meet Me in the Bathroom, The National are cast as lesser characters in the NY/Brooklyn scene of the early 2000s. While The Stokes, Interpol and The Yeah Yeah Yeahs hit the ground running, The National took longer to find their footing. But over time, they have risen above their more popular colleagues from that era to become critical darlings and festival favourites. Back in September the National released their seventh studio album, Sleep Well Beast. Their last album, 2013’s Trouble Will Find Me, felt like the end of a trilogy which would make this a new beginning or at least a transitional one.
Second track “Day I Die” has a guitar line that sounds air lifted from The Kings of Leon with an instantly classic chorus. The sung/talked “Walk It Back” has an electronic blip running through it and first single “the System Only Dreams in Total Darkness” replaces the blip with a squiggly guitar line. “Empire Line” starts a string of classic National songs that runs through the great “Guilty Party” and ends with “Carin at the Liquor Store”, that features their usual trick of sounding both melancholy and uplifting at the same time.
Unlike the past few releases, Sleep Well Beast has a few tracks that when listened to individually are a bit dull (“Born to Beg” and “Turtleneck”) but when run right through, are less noticeably cast as missteps. Where the last three albums felt more concise, Sleep Well Beast meanders here and there – a guitar squall here, an electronic flourish there, a few tracks that go on for a few minutes longer than they need to, etc. However, there are enough good moments on every track that makes this another great album from The National.

8/10

Posted in Album Reviews

Slowdive – Slowdive (2017)

41kwgA+p3XL._AA327_QL65_Back in 2014 the shoegaze band Slowdive reunited for live dates and continued on to record their fourth album, the self-titled Slowdive.  Since hearing a b-side on a random blog years ago, Slowdive for me have been on the longlist of bands to check out after missing them the first time around.  So, I started backwards with the latest release, one that sound tracked many late summer walks, with an eye on collecting their older albums.

The album was preceded early in the new year with the joyous single “Star Roving”.  “Emma flies a kite, said she’s feeling love for everyone tonight”.   Second single is the quieter, more ethereal “Sugar for the Pill”.  The chorus of “Don’t Know Why” is pure Cocteau Twins, full of beautiful yet unintelligible lyrics and soundscapes.

Where Slowdive the album starts to drag is on the very dull penultimate track “Go Get It” and album closer “Falling Ashes” would work better as a concise three-minute instrumental instead of the eight-minute slog it can be. Overall, this is the sound of grown up and mature indie shoegazers.  Other bands that have reunited in the past few years should be so lucky to have recorded something as good as what Slowdive has done here.

8/10

 

Posted in Album Reviews

Spoon – Hot Thoughts (2017)

515vMYZCHwL._AA327_QL65_Spoon’s eighth studio album, Hot Thoughts, is the one that broke this website! I was on a roll with reviews and then hit this one and found myself struggling on what to say or write about… for several weeks that turned into months. There’s plenty of good tracks here – the title track could fill an indie dancefloor in seconds, “First Caress” features a piano that sounds like it’s falling down the stairs, while “Shotgun” packs a mighty punch.
The problem is that while most of the songs are good there is nothing truly great to help raise the album above the fray. It would be great to see Spoon pull a Kings of Leon and just have that one random radio hit to get them into the mainstream and start playing arenas. While Hot Thoughts should please the fans it probably won’t turn on many new converts.

6.5/10