Sturgill Simpson has been kicking around for a few years now. His second album, the critically acclaimed Metamodern Sounds in Country Music, crossed over with rock audiences who were hip to his non-mainstream country image. Having seen Sturgill recently in concert, his lively show attracts a diverse crowd of country fans in cowboy hats as well as punk rock, rockabilly and indie rock listeners. In the spring of 2016, Simpson released his major label debut titled A Sailor’s Guide to Earth.
The lyrical theme throughout the new album is Simpson giving life lessons to his newborn son. Album opener “Welcome To Earth (Pollywog)” is an instant classic with heartfelt lyrics that never get sappy atop a bedrock of Dap King horns. “Keep It Between The Lines” is a spirited track about staying on the straight and narrow. Elsewhere, the strings on “Oh Sarah” can get a bit schmaltzy and the listings of cities in “Sea Stories” is less like the adrenaline rush of “Panic” by The Smiths and more like the beer stained remembrances of Springsteen’s “Glory Days”.
One of the notable tracks is Simpson’s cover of Nirvana’s “In Bloom” which sees a slight lyric change from “he don’t know what it means when I say” to “he don’t know what it means to love someone” which makes it all the more poignant and is the highlight of the album. The rave reviews for A Sailor’s Guide to Earth no doubt means that Simpson has many fans, however, I far prefer the soulful horns vs the easy listening strings that both appear throughout and I’m not sure if I will be belting out many of the on the nose lyrics on long car rides. Having said that, when the next Sturgill concert gets announced you can be sure I’ll be one of the first in line for tickets.
6/10
Exactly two years ago we posted a review of Marissa Nadler’s sixth album, July. Earlier this year the talented alt country artist released Strangers. The same spare arrangements and swooning vocal accompany most tracks. The guitar feedback on “Hungry Is The Ghost” is revelatory when placed among the quieter tracks. While the title track is forgettable, the repeated chorus on “Janie In Love” will stick in the head for days.
The term “super group” gets thrown around from time to time in the music press whether its warranted or not. In the case of Minor Victories, it deserves a caveat as we’re not exactly talking about the music equivalent of Kevin Durant joining the Golden State Warriors. Having said that, this is an interesting group of musicians that decided to join forces and record an album (although never in the same studio at the same time). Minor Victories includes Stuart Braithwaite (Mogwai), Rachel Goswell (Slowdive), and Justin Lockey (Editors) along with his brother James. 
As most collectors know, the mid 60s catalogue of The Rolling Stones is a bit of a mish mash of UK vs US versions featuring different track listings and album covers. It’s one of the reasons that Let It Bleed has been the only the Stones disc I’ve owned for many years. Wanting to start at the beginning of their career, I knew where to start but not where to go from there. Having recently finished reading Keith Richards’ entertaining Life autobiography, I went back and did research on how to build an album collection of The Rolling Stones. Taking cues from more knowledgeable fans online, I went out and bought the first five US versions of their albums starting with England’s Newest Hit Makers and man does it not disappoint.
