Posted in Album Reviews

Jane Weaver – Modern Kosmology (2017)

51YJI5cHmOL._AA327_QL65_Modern Kosmology is Jane Weaver’s sixth studio album. Much praise was heaped on the Manchester based, Liverpudlian upon release in the spring of 2017 and received a new lease on life (in my world) when Mojo magazine ranked it their fifth favourite record of the year. “Did You See Butterflies” is the most immediate track with a droning bassline and early 90s Lush style vocals.

The electronic folk album is a slow burn that reveals treasures throughout. The throbbing techno of “The Architect” and spacey rock of the title track. At the deep end, last track “I Wish” recalls the beloved Broadcast. “I wish you were cool, I wish you were something” Weaver’s high-pitched vocals tell us. A varied listen with nothing that sounds out of place, this was well worth travelling back a year to discover.

8/10

 

 

Posted in Album Reviews

Franz Ferdinand – Always Ascending (2018)

41VSwhV-ZFL._AA327_QL65_After collaborating with Sparks in 2015, the newly reconfigured Franz Ferdinand line-up return with Always Ascending. Lots has changed in the Franz world – heartthrob guitarist Nick McCarthy is sitting this one out with keyboard player Julian Corrie and ex 1990s guitarist Dino Bardot entering the picture. The build-up that opens the title track is exciting and sounds like the background music to an action movie trailer. On the other hand I could do without the less than inspiring refrain of “I’m a lazy boy” chant in “Lazy Boy”.

The 80s keyboards are a nice touch in “Lois Lane”. “Huck and Jim” sounds like two mediocre song stuck together. Maybe I’m a sucker for slower FF tracks (see: “Eleonor Put Your Boots Back On“) but the much maligned “The Academy Award” is the song that sticks the most when the disc has stopped spinning. I don’t think it’s a great song but the stylized up-tempo numbers mostly blend together and unlike past releases, very little here particularly stands out.

6/10